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I Ching
From Wikipedia, the free encyclopedia
"The Book of Changes" redirects here. For other uses, see The Book of Changes (disambiguation). For other uses of "I Ching" or "Yijing", see I Ching (disambiguation) and Yijing (disambiguation).
I Ching (Yijing)
I Ching Song Dynasty print.jpg
Title page of a Song dynasty (c. 1100) edition of the I Ching
Original title	易[1]
Country	Zhou dynasty (China)
Genre	Divination, cosmology
Published	late 9th century BC
I Ching
Classic of Changes
I Ching (Chinese characters).svg
"I (Ching)" in seal script (top),[1] Traditional (middle), and Simplified (bottom) Chinese characters
Traditional Chinese	易經
Simplified Chinese	易经
Hanyu Pinyin	Yìjīng
Literal meaning	"Classic of Changes"
[show]Transcriptions
The I Ching ([î tɕíŋ] in Mandarin), also known as Classic of Changes or Book of Changes, is an ancient Chinese divination text and the oldest of the Chinese classics. Possessing a history of more than two and a half millennia of commentary and interpretation, the I Ching is an influential text read throughout the world, providing inspiration to the worlds of religion, psychoanalysis, business, literature, and art. Originally a divination manual in the Western Zhou period (1000–750 BC), over the course of the Warring States period and early imperial period (500–200 BC) it was transformed into a cosmological text with a series of philosophical commentaries known as the "Ten Wings."[2] After becoming part of the Five Classics in the 2nd century BC, the I Ching was the subject of scholarly commentary and the basis for divination practice for centuries across the Far East, and eventually took on an influential role in Western understanding of Eastern thought.

The I Ching uses a type of divination called cleromancy, which produces apparently random numbers. Six numbers between 6 and 9 are turned into a hexagram, which can then be looked up in the I Ching book, arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching is a matter of centuries of debate, and many commentators have used the book symbolically, often to provide guidance for moral decision making as informed by Taoism and Confucianism. The hexagrams themselves have often acquired cosmological significance and paralleled with many other traditional names for the processes of change such as yin and yang and Wu Xing.
The divination text: Zhou yi[edit]
The core of the I Ching is a Western Zhou divination text called the Changes of Zhou (周易 Zhōu yì).[3] Various modern scholars suggest dates ranging between the 10th and 4th centuries BC for the assembly of the text in approximately its current form.[4] Based on a comparison of the language of the Zhou yi with dated bronze inscriptions, the American sinologist Edward Shaughnessy dated its compilation in its current form to the early decades of the reign of King Xuan of Zhou, in the last quarter of the 9th century BC.[5] A copy of the text in the Shanghai Museum corpus of bamboo and wooden slips (recovered in 1994) shows that the Zhou yi was used throughout all levels of Chinese society in its current form by 300 BC, but still contained small variations as late as the Warring States period.[6] It is possible that other divination systems existed at this time; the Rites of Zhou name two other such systems, the Lianshan and the Guizang.[7]

Name and origins[edit]
The name Zhou yi literally means the "changes" (Chinese: 易; pinyin: Yì) of the Zhou dynasty. The "changes" involved have been interpreted as the transformations of hexagrams, of their lines, or of the numbers obtained from the divination.[8] Feng Youlan proposed that the word for "changes" originally meant "easy", as in a form of divination easier than the oracle bones, but there is little evidence for this. There is also an ancient folk etymology that sees the character for "changes" as containing the sun and moon, the cycle of the day. Modern Sinologists believe the character to be derived either from an image of the sun emerging from clouds, or from the content of a vessel being changed into another.[9]

The Zhou yi was traditionally ascribed to the Zhou cultural heroes King Wen of Zhou and the Duke of Zhou, and was also associated with the legendary world ruler Fu Xi.[10] According to the canonical Great Commentary, Fu Xi observed the patterns of the world and created the eight trigrams (Chinese: 八卦; pinyin: bāguà), "in order to become thoroughly conversant with the numinous and bright and to classify the myriad things." The Zhou yi itself does not contain this legend and indeed says nothing about its own origins.[11] The Rites of Zhou, however, also claims that the hexagrams of the Zhou yi were derived from an initial set of eight trigrams.[12] During the Han dynasty there were various opinions about the historical relationship between the trigrams and the hexagrams.[13] Eventually, a consensus formed around 2nd century AD scholar Ma Rong's attribution of the text to the joint work of Fu Xi, King Wen of Zhou, the Duke of Zhou, and Confucius, but this traditional attribution is no longer generally accepted.[14]
Hexagrams[edit]
Main articles: Hexagram (I Ching) and List of hexagrams of the I Ching
In the canonical I Ching, the hexagrams are arranged in an order dubbed the King Wen sequence after King Wen of Zhou, who founded the Zhou dynasty and supposedly reformed the method of interpretation. The sequence generally pairs hexagrams with their upside-down equivalents, although in eight cases hexagrams are paired with their inversion.[51] Another order, found at Mawangdui in 1973, arranges the hexagrams into eight groups sharing the same upper trigram. But the oldest known manuscript, found in 1987 and now held by the Shanghai Library, was almost certainly arranged in the King Wen sequence, and it has even been proposed that a pottery paddle from the Western Zhou period contains four hexagrams in the King Wen sequence.[52] Whichever of these arrangements is older, it is not evident that the order of the hexagrams was of interest to the original authors of the Zhou yi. The assignment of numbers, binary or decimal, to specific hexagrams is a modern invention.[53]

The following table numbers the hexagrams in King Wen order.
I Ching
From Wikipedia, the free encyclopedia
"The Book of Changes" redirects here. For other uses, see The Book of Changes (disambiguation). For other uses of "I Ching" or "Yijing", see I Ching (disambiguation) and Yijing (disambiguation).
I Ching (Yijing)
I Ching Song Dynasty print.jpg
Title page of a Song dynasty (c. 1100) edition of the I Ching
Original title	易[1]
Country	Zhou dynasty (China)
Genre	Divination, cosmology
Published	late 9th century BC
I Ching
Classic of Changes
I Ching (Chinese characters).svg
"I (Ching)" in seal script (top),[1] Traditional (middle), and Simplified (bottom) Chinese characters
Traditional Chinese	易經
Simplified Chinese	易经
Hanyu Pinyin	Yìjīng
Literal meaning	"Classic of Changes"
[show]Transcriptions
The I Ching ([î tɕíŋ] in Mandarin), also known as Classic of Changes or Book of Changes, is an ancient Chinese divination text and the oldest of the Chinese classics. Possessing a history of more than two and a half millennia of commentary and interpretation, the I Ching is an influential text read throughout the world, providing inspiration to the worlds of religion, psychoanalysis, business, literature, and art. Originally a divination manual in the Western Zhou period (1000–750 BC), over the course of the Warring States period and early imperial period (500–200 BC) it was transformed into a cosmological text with a series of philosophical commentaries known as the "Ten Wings."[2] After becoming part of the Five Classics in the 2nd century BC, the I Ching was the subject of scholarly commentary and the basis for divination practice for centuries across the Far East, and eventually took on an influential role in Western understanding of Eastern thought.

The I Ching uses a type of divination called cleromancy, which produces apparently random numbers. Six numbers between 6 and 9 are turned into a hexagram, which can then be looked up in the I Ching book, arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching is a matter of centuries of debate, and many commentators have used the book symbolically, often to provide guidance for moral decision making as informed by Taoism and Confucianism. The hexagrams themselves have often acquired cosmological significance and paralleled with many other traditional names for the processes of change such as yin and yang and Wu Xing.
The divination text: Zhou yi[edit]
The core of the I Ching is a Western Zhou divination text called the Changes of Zhou (周易 Zhōu yì).[3] Various modern scholars suggest dates ranging between the 10th and 4th centuries BC for the assembly of the text in approximately its current form.[4] Based on a comparison of the language of the Zhou yi with dated bronze inscriptions, the American sinologist Edward Shaughnessy dated its compilation in its current form to the early decades of the reign of King Xuan of Zhou, in the last quarter of the 9th century BC.[5] A copy of the text in the Shanghai Museum corpus of bamboo and wooden slips (recovered in 1994) shows that the Zhou yi was used throughout all levels of Chinese society in its current form by 300 BC, but still contained small variations as late as the Warring States period.[6] It is possible that other divination systems existed at this time; the Rites of Zhou name two other such systems, the Lianshan and the Guizang.[7]

Name and origins[edit]
The name Zhou yi literally means the "changes" (Chinese: 易; pinyin: Yì) of the Zhou dynasty. The "changes" involved have been interpreted as the transformations of hexagrams, of their lines, or of the numbers obtained from the divination.[8] Feng Youlan proposed that the word for "changes" originally meant "easy", as in a form of divination easier than the oracle bones, but there is little evidence for this. There is also an ancient folk etymology that sees the character for "changes" as containing the sun and moon, the cycle of the day. Modern Sinologists believe the character to be derived either from an image of the sun emerging from clouds, or from the content of a vessel being changed into another.[9]

The Zhou yi was traditionally ascribed to the Zhou cultural heroes King Wen of Zhou and the Duke of Zhou, and was also associated with the legendary world ruler Fu Xi.[10] According to the canonical Great Commentary, Fu Xi observed the patterns of the world and created the eight trigrams (Chinese: 八卦; pinyin: bāguà), "in order to become thoroughly conversant with the numinous and bright and to classify the myriad things." The Zhou yi itself does not contain this legend and indeed says nothing about its own origins.[11] The Rites of Zhou, however, also claims that the hexagrams of the Zhou yi were derived from an initial set of eight trigrams.[12] During the Han dynasty there were various opinions about the historical relationship between the trigrams and the hexagrams.[13] Eventually, a consensus formed around 2nd century AD scholar Ma Rong's attribution of the text to the joint work of Fu Xi, King Wen of Zhou, the Duke of Zhou, and Confucius, but this traditional attribution is no longer generally accepted.[14]
Hexagrams[edit]
Main articles: Hexagram (I Ching) and List of hexagrams of the I Ching
In the canonical I Ching, the hexagrams are arranged in an order dubbed the King Wen sequence after King Wen of Zhou, who founded the Zhou dynasty and supposedly reformed the method of interpretation. The sequence generally pairs hexagrams with their upside-down equivalents, although in eight cases hexagrams are paired with their inversion.[51] Another order, found at Mawangdui in 1973, arranges the hexagrams into eight groups sharing the same upper trigram. But the oldest known manuscript, found in 1987 and now held by the Shanghai Library, was almost certainly arranged in the King Wen sequence, and it has even been proposed that a pottery paddle from the Western Zhou period contains four hexagrams in the King Wen sequence.[52] Whichever of these arrangements is older, it is not evident that the order of the hexagrams was of interest to the original authors of the Zhou yi. The assignment of numbers, binary or decimal, to specific hexagrams is a modern invention.[53]

The following table numbers the hexagrams in King Wen order.
I Ching
From Wikipedia, the free encyclopedia
"The Book of Changes" redirects here. For other uses, see The Book of Changes (disambiguation). For other uses of "I Ching" or "Yijing", see I Ching (disambiguation) and Yijing (disambiguation).
I Ching (Yijing)
I Ching Song Dynasty print.jpg
Title page of a Song dynasty (c. 1100) edition of the I Ching
Original title	易[1]
Country	Zhou dynasty (China)
Genre	Divination, cosmology
Published	late 9th century BC
I Ching
Classic of Changes
I Ching (Chinese characters).svg
"I (Ching)" in seal script (top),[1] Traditional (middle), and Simplified (bottom) Chinese characters
Traditional Chinese	易經
Simplified Chinese	易经
Hanyu Pinyin	Yìjīng
Literal meaning	"Classic of Changes"
[show]Transcriptions
The I Ching ([î tɕíŋ] in Mandarin), also known as Classic of Changes or Book of Changes, is an ancient Chinese divination text and the oldest of the Chinese classics. Possessing a history of more than two and a half millennia of commentary and interpretation, the I Ching is an influential text read throughout the world, providing inspiration to the worlds of religion, psychoanalysis, business, literature, and art. Originally a divination manual in the Western Zhou period (1000–750 BC), over the course of the Warring States period and early imperial period (500–200 BC) it was transformed into a cosmological text with a series of philosophical commentaries known as the "Ten Wings."[2] After becoming part of the Five Classics in the 2nd century BC, the I Ching was the subject of scholarly commentary and the basis for divination practice for centuries across the Far East, and eventually took on an influential role in Western understanding of Eastern thought.

The I Ching uses a type of divination called cleromancy, which produces apparently random numbers. Six numbers between 6 and 9 are turned into a hexagram, which can then be looked up in the I Ching book, arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching is a matter of centuries of debate, and many commentators have used the book symbolically, often to provide guidance for moral decision making as informed by Taoism and Confucianism. The hexagrams themselves have often acquired cosmological significance and paralleled with many other traditional names for the processes of change such as yin and yang and Wu Xing.
The divination text: Zhou yi[edit]
The core of the I Ching is a Western Zhou divination text called the Changes of Zhou (周易 Zhōu yì).[3] Various modern scholars suggest dates ranging between the 10th and 4th centuries BC for the assembly of the text in approximately its current form.[4] Based on a comparison of the language of the Zhou yi with dated bronze inscriptions, the American sinologist Edward Shaughnessy dated its compilation in its current form to the early decades of the reign of King Xuan of Zhou, in the last quarter of the 9th century BC.[5] A copy of the text in the Shanghai Museum corpus of bamboo and wooden slips (recovered in 1994) shows that the Zhou yi was used throughout all levels of Chinese society in its current form by 300 BC, but still contained small variations as late as the Warring States period.[6] It is possible that other divination systems existed at this time; the Rites of Zhou name two other such systems, the Lianshan and the Guizang.[7]

Name and origins[edit]
The name Zhou yi literally means the "changes" (Chinese: 易; pinyin: Yì) of the Zhou dynasty. The "changes" involved have been interpreted as the transformations of hexagrams, of their lines, or of the numbers obtained from the divination.[8] Feng Youlan proposed that the word for "changes" originally meant "easy", as in a form of divination easier than the oracle bones, but there is little evidence for this. There is also an ancient folk etymology that sees the character for "changes" as containing the sun and moon, the cycle of the day. Modern Sinologists believe the character to be derived either from an image of the sun emerging from clouds, or from the content of a vessel being changed into another.[9]

The Zhou yi was traditionally ascribed to the Zhou cultural heroes King Wen of Zhou and the Duke of Zhou, and was also associated with the legendary world ruler Fu Xi.[10] According to the canonical Great Commentary, Fu Xi observed the patterns of the world and created the eight trigrams (Chinese: 八卦; pinyin: bāguà), "in order to become thoroughly conversant with the numinous and bright and to classify the myriad things." The Zhou yi itself does not contain this legend and indeed says nothing about its own origins.[11] The Rites of Zhou, however, also claims that the hexagrams of the Zhou yi were derived from an initial set of eight trigrams.[12] During the Han dynasty there were various opinions about the historical relationship between the trigrams and the hexagrams.[13] Eventually, a consensus formed around 2nd century AD scholar Ma Rong's attribution of the text to the joint work of Fu Xi, King Wen of Zhou, the Duke of Zhou, and Confucius, but this traditional attribution is no longer generally accepted.[14]
Hexagrams[edit]
Main articles: Hexagram (I Ching) and List of hexagrams of the I Ching
In the canonical I Ching, the hexagrams are arranged in an order dubbed the King Wen sequence after King Wen of Zhou, who founded the Zhou dynasty and supposedly reformed the method of interpretation. The sequence generally pairs hexagrams with their upside-down equivalents, although in eight cases hexagrams are paired with their inversion.[51] Another order, found at Mawangdui in 1973, arranges the hexagrams into eight groups sharing the same upper trigram. But the oldest known manuscript, found in 1987 and now held by the Shanghai Library, was almost certainly arranged in the King Wen sequence, and it has even been proposed that a pottery paddle from the Western Zhou period contains four hexagrams in the King Wen sequence.[52] Whichever of these arrangements is older, it is not evident that the order of the hexagrams was of interest to the original authors of the Zhou yi. The assignment of numbers, binary or decimal, to specific hexagrams is a modern invention.[53]

The following table numbers the hexagrams in King Wen order.
I Ching
From Wikipedia, the free encyclopedia
"The Book of Changes" redirects here. For other uses, see The Book of Changes (disambiguation). For other uses of "I Ching" or "Yijing", see I Ching (disambiguation) and Yijing (disambiguation).
I Ching (Yijing)
I Ching Song Dynasty print.jpg
Title page of a Song dynasty (c. 1100) edition of the I Ching
Original title	易[1]
Country	Zhou dynasty (China)
Genre	Divination, cosmology
Published	late 9th century BC
I Ching
Classic of Changes
I Ching (Chinese characters).svg
"I (Ching)" in seal script (top),[1] Traditional (middle), and Simplified (bottom) Chinese characters
Traditional Chinese	易經
Simplified Chinese	易经
Hanyu Pinyin	Yìjīng
Literal meaning	"Classic of Changes"
[show]Transcriptions
The I Ching ([î tɕíŋ] in Mandarin), also known as Classic of Changes or Book of Changes, is an ancient Chinese divination text and the oldest of the Chinese classics. Possessing a history of more than two and a half millennia of commentary and interpretation, the I Ching is an influential text read throughout the world, providing inspiration to the worlds of religion, psychoanalysis, business, literature, and art. Originally a divination manual in the Western Zhou period (1000–750 BC), over the course of the Warring States period and early imperial period (500–200 BC) it was transformed into a cosmological text with a series of philosophical commentaries known as the "Ten Wings."[2] After becoming part of the Five Classics in the 2nd century BC, the I Ching was the subject of scholarly commentary and the basis for divination practice for centuries across the Far East, and eventually took on an influential role in Western understanding of Eastern thought.

The I Ching uses a type of divination called cleromancy, which produces apparently random numbers. Six numbers between 6 and 9 are turned into a hexagram, which can then be looked up in the I Ching book, arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching is a matter of centuries of debate, and many commentators have used the book symbolically, often to provide guidance for moral decision making as informed by Taoism and Confucianism. The hexagrams themselves have often acquired cosmological significance and paralleled with many other traditional names for the processes of change such as yin and yang and Wu Xing.
The divination text: Zhou yi[edit]
The core of the I Ching is a Western Zhou divination text called the Changes of Zhou (周易 Zhōu yì).[3] Various modern scholars suggest dates ranging between the 10th and 4th centuries BC for the assembly of the text in approximately its current form.[4] Based on a comparison of the language of the Zhou yi with dated bronze inscriptions, the American sinologist Edward Shaughnessy dated its compilation in its current form to the early decades of the reign of King Xuan of Zhou, in the last quarter of the 9th century BC.[5] A copy of the text in the Shanghai Museum corpus of bamboo and wooden slips (recovered in 1994) shows that the Zhou yi was used throughout all levels of Chinese society in its current form by 300 BC, but still contained small variations as late as the Warring States period.[6] It is possible that other divination systems existed at this time; the Rites of Zhou name two other such systems, the Lianshan and the Guizang.[7]

Name and origins[edit]
The name Zhou yi literally means the "changes" (Chinese: 易; pinyin: Yì) of the Zhou dynasty. The "changes" involved have been interpreted as the transformations of hexagrams, of their lines, or of the numbers obtained from the divination.[8] Feng Youlan proposed that the word for "changes" originally meant "easy", as in a form of divination easier than the oracle bones, but there is little evidence for this. There is also an ancient folk etymology that sees the character for "changes" as containing the sun and moon, the cycle of the day. Modern Sinologists believe the character to be derived either from an image of the sun emerging from clouds, or from the content of a vessel being changed into another.[9]

The Zhou yi was traditionally ascribed to the Zhou cultural heroes King Wen of Zhou and the Duke of Zhou, and was also associated with the legendary world ruler Fu Xi.[10] According to the canonical Great Commentary, Fu Xi observed the patterns of the world and created the eight trigrams (Chinese: 八卦; pinyin: bāguà), "in order to become thoroughly conversant with the numinous and bright and to classify the myriad things." The Zhou yi itself does not contain this legend and indeed says nothing about its own origins.[11] The Rites of Zhou, however, also claims that the hexagrams of the Zhou yi were derived from an initial set of eight trigrams.[12] During the Han dynasty there were various opinions about the historical relationship between the trigrams and the hexagrams.[13] Eventually, a consensus formed around 2nd century AD scholar Ma Rong's attribution of the text to the joint work of Fu Xi, King Wen of Zhou, the Duke of Zhou, and Confucius, but this traditional attribution is no longer generally accepted.[14]
Hexagrams[edit]
Main articles: Hexagram (I Ching) and List of hexagrams of the I Ching
In the canonical I Ching, the hexagrams are arranged in an order dubbed the King Wen sequence after King Wen of Zhou, who founded the Zhou dynasty and supposedly reformed the method of interpretation. The sequence generally pairs hexagrams with their upside-down equivalents, although in eight cases hexagrams are paired with their inversion.[51] Another order, found at Mawangdui in 1973, arranges the hexagrams into eight groups sharing the same upper trigram. But the oldest known manuscript, found in 1987 and now held by the Shanghai Library, was almost certainly arranged in the King Wen sequence, and it has even been proposed that a pottery paddle from the Western Zhou period contains four hexagrams in the King Wen sequence.[52] Whichever of these arrangements is older, it is not evident that the order of the hexagrams was of interest to the original authors of the Zhou yi. The assignment of numbers, binary or decimal, to specific hexagrams is a modern invention.[53]

The following table numbers the hexagrams in King Wen order.
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I Ching Painting

Polina Ogiy

Italy

Painting, Paint on Canvas

Size: 39.4 W x 39.4 H x 1.2 D in

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About The Artwork

I Ching From Wikipedia, the free encyclopedia "The Book of Changes" redirects here. For other uses, see The Book of Changes (disambiguation). For other uses of "I Ching" or "Yijing", see I Ching (disambiguation) and Yijing (disambiguation). I Ching (Yijing) I Ching Song Dynasty print.jpg Title page of a Song dynasty (c. 1100) edition of the I Ching Original title 易[1] Country Zhou dynasty (China) Genre Divination, cosmology Published late 9th century BC I Ching Classic of Changes I Ching (Chinese characters).svg "I (Ching)" in seal script (top),[1] Traditional (middle), and Simplified (bottom) Chinese characters Traditional Chinese 易經 Simplified Chinese 易经 Hanyu Pinyin Yìjīng Literal meaning "Classic of Changes" [show]Transcriptions The I Ching ([î tɕíŋ] in Mandarin), also known as Classic of Changes or Book of Changes, is an ancient Chinese divination text and the oldest of the Chinese classics. Possessing a history of more than two and a half millennia of commentary and interpretation, the I Ching is an influential text read throughout the world, providing inspiration to the worlds of religion, psychoanalysis, business, literature, and art. Originally a divination manual in the Western Zhou period (1000–750 BC), over the course of the Warring States period and early imperial period (500–200 BC) it was transformed into a cosmological text with a series of philosophical commentaries known as the "Ten Wings."[2] After becoming part of the Five Classics in the 2nd century BC, the I Ching was the subject of scholarly commentary and the basis for divination practice for centuries across the Far East, and eventually took on an influential role in Western understanding of Eastern thought. The I Ching uses a type of divination called cleromancy, which produces apparently random numbers. Six numbers between 6 and 9 are turned into a hexagram, which can then be looked up in the I Ching book, arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching is a matter of centuries of debate, and many commentators have used the book symbolically, often to provide guidance for moral decision making as informed by Taoism and Confucianism. The hexagrams themselves have often acquired cosmological significance and paralleled with many other traditional names for the processes of change such as yin and yang and Wu Xing. The divination text: Zhou yi[edit] The core of the I Ching is a Western Zhou divination text called the Changes of Zhou (周易 Zhōu yì).[3] Various modern scholars suggest dates ranging between the 10th and 4th centuries BC for the assembly of the text in approximately its current form.[4] Based on a comparison of the language of the Zhou yi with dated bronze inscriptions, the American sinologist Edward Shaughnessy dated its compilation in its current form to the early decades of the reign of King Xuan of Zhou, in the last quarter of the 9th century BC.[5] A copy of the text in the Shanghai Museum corpus of bamboo and wooden slips (recovered in 1994) shows that the Zhou yi was used throughout all levels of Chinese society in its current form by 300 BC, but still contained small variations as late as the Warring States period.[6] It is possible that other divination systems existed at this time; the Rites of Zhou name two other such systems, the Lianshan and the Guizang.[7] Name and origins[edit] The name Zhou yi literally means the "changes" (Chinese: 易; pinyin: Yì) of the Zhou dynasty. The "changes" involved have been interpreted as the transformations of hexagrams, of their lines, or of the numbers obtained from the divination.[8] Feng Youlan proposed that the word for "changes" originally meant "easy", as in a form of divination easier than the oracle bones, but there is little evidence for this. There is also an ancient folk etymology that sees the character for "changes" as containing the sun and moon, the cycle of the day. Modern Sinologists believe the character to be derived either from an image of the sun emerging from clouds, or from the content of a vessel being changed into another.[9] The Zhou yi was traditionally ascribed to the Zhou cultural heroes King Wen of Zhou and the Duke of Zhou, and was also associated with the legendary world ruler Fu Xi.[10] According to the canonical Great Commentary, Fu Xi observed the patterns of the world and created the eight trigrams (Chinese: 八卦; pinyin: bāguà), "in order to become thoroughly conversant with the numinous and bright and to classify the myriad things." The Zhou yi itself does not contain this legend and indeed says nothing about its own origins.[11] The Rites of Zhou, however, also claims that the hexagrams of the Zhou yi were derived from an initial set of eight trigrams.[12] During the Han dynasty there were various opinions about the historical relationship between the trigrams and the hexagrams.[13] Eventually, a consensus formed around 2nd century AD scholar Ma Rong's attribution of the text to the joint work of Fu Xi, King Wen of Zhou, the Duke of Zhou, and Confucius, but this traditional attribution is no longer generally accepted.[14] Hexagrams[edit] Main articles: Hexagram (I Ching) and List of hexagrams of the I Ching In the canonical I Ching, the hexagrams are arranged in an order dubbed the King Wen sequence after King Wen of Zhou, who founded the Zhou dynasty and supposedly reformed the method of interpretation. The sequence generally pairs hexagrams with their upside-down equivalents, although in eight cases hexagrams are paired with their inversion.[51] Another order, found at Mawangdui in 1973, arranges the hexagrams into eight groups sharing the same upper trigram. But the oldest known manuscript, found in 1987 and now held by the Shanghai Library, was almost certainly arranged in the King Wen sequence, and it has even been proposed that a pottery paddle from the Western Zhou period contains four hexagrams in the King Wen sequence.[52] Whichever of these arrangements is older, it is not evident that the order of the hexagrams was of interest to the original authors of the Zhou yi. The assignment of numbers, binary or decimal, to specific hexagrams is a modern invention.[53] The following table numbers the hexagrams in King Wen order.

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Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 1.2 D in

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Polina Ogiy was born in Kharkov . She quickly shows great interest in art and all its expressions, finishing her studies at the High School of Arts and Music. Then she enrolls at the Moscow State Art and Design Academy by Stroganov, where she becomes expert in drawing, painting, design and sculpture.In 1999, she got a degree as Master of Fine Art. In 2004 Polina won the first prize at the International Architecture Competition. She is currently working in the fields of painting, sculpture, architecture, interior design, exclusive decoration and painting. "There is no fear in love; but perfect love casteth out fear: because fear hath torment. He that feareth is not made perfect in love."(The first Epistle of St. an. St. John The Evangelist) Art is the creator soul delight spilled on canvas, embodied in marble, paper, notes in the form, line, color, sound, word, movement and thousands of other creative expressions. This is awareness of Genesis, understanding of the soul creating the fabric of life .Works of art are true, pure symbols imprinted by the hand of the artist. They are characters of life, love, harmony and symmetry, sacred geometry of destiny. The world is ruled by symbols. And the true symbols express the divine harmony.If you're a creative person, the main energy that moves your hand is love, passion to cognition for the essence of things and phenomena. This is love and admiration, inspiration by the beauty of a landscape, character, object, myth or legend. The delight of my soul reflects the spiritual essence and symbolism of the Muse selected.Creativity is the destination of the soul incarnate in a person. We all are the co-creators of God, and everyone is an architect of his own life and world view. Convergence of matter and spirit, the ancient alchemy of human life are nothing else, but a splash of creative energy of spirit in matter.For me it is the music of my soul embodied in line and color, its trace through the time and space. Painting and sculpture are like my natural breath and my self expression. The motivation is simple - to live and create. An artist is the crystal, which stops the time in its purpose. An artist displays the Genesis, depicts the beauty and perfection of the moment. The artist perceives with his heart, not his eyes. An artist opens for the viewer the door to the wordlessness and guides to the pure original source of Life.Canvas is a material body, the image on the canvas is the artist soul cast.

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Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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Global Selection

Explore an unparalleled artwork selection by artists from around the world.

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Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

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