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Detailed of Artwork , I used schmincke oil.
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" I am nothing. " Painting

Lydia Lee

South Korea

Painting, Oil on Canvas

Size: 53 W x 50 H x 1 D in

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Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

The composition and movement were influenced by the works of Caravaggio and Rubens. The tense movement and power particularly captured my heart. And I think the human body is the most beautiful aesthetic standard and the most honest and appealing form that people can give. If I try to deeply look at my work in a single context, I am in the perspective of seeing human existence and existence as another atom and as no different from an object. No matter how much a person's emotions are intertwined with a private event, they are bound to make someone move in the end. I wanted to show through this painting that humans are bound to be dominated by something even if they are not forced, and that they can approach happiness only when they struggle to escape. This painting has a Romantic style. As can be seen from the origin of the word romanticism, it was rather to give people a sense of liberation by expressing it unrealistically and overly fantastically. This painting uses a lot of linseed, and it is characterized by beautiful curved brush strokes. It is a pose created as if sketching on the spot with concentration when holding a brush at once over several days.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:53 W x 50 H x 1 D in

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" Colors produce the most beautiful when I most honestly reveal emotions. " I am a painter based in Seoul. The structural observation of Mother Nature through curves and primal forces is a visual element connected to musical composition techniques. I was strongly attracted to musical composition techniques, especially serialism, and at the point when I tried to use the musical forms of Messiaen and Schinberg in paintings, the perspective of representation in my paintings from looking at real objects had already changed significantly. My view of art is completely connected to Greek and Roman art and oriental calligraphy, blank space aesthetic conditions. Henri Matisse(1869-1954) still plays a guiding role in my paintings. decoration is pursued within two-dimensional synthesis. This is because I am a person who pursues purity in life. That is when I am happiest. The ultimate reason for drawing is to think deeply about how and to what extent I should act within the triangle of human will and freedom.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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