Evenement Painting

Born March 18, 1985, in Melun 77 This passion has very quickly become invasive, ubiquitous around the age of 14. After try me different techniques; such as acrylic, gouache, oil, watercolour, ink. I wear no preference. Self-taught, I maintain that art comes from the spirit of each and is not required to go through a mandatory Fine Arts school in order to control lines, and colors. Curious by nature I inspires me media, highlights that make the news, or good reasoning and reflection of everyday life. Full of sweets and poetry, revelatory segments curves. The eyes of an artist on a world that invades us. Critcs of art on watercolours : His pictorial paradigm reminds the blind kingship of the gesture of a Matisse. However despite the unpredictable escapes by the artist with the vaporization of paintings on paper, the balance by the brush. He mastered by drawing lines, boundaries, or even fractures to channel the enthusiasm and anxiety. The works of B.Chalut therefore pass through the voice of the brush. But initially, the painter succeeded in creating a native background leading to a sort of light mirages. Often blinding as a spiritual flame that clears the image of any representation. The artist plays the fluidity and transparency of watercolour and never falls into the story. With the non-figuration, he wants to produce like a Kandinsky " vibrations deeper, more sensitive than the basic as love, desire and anxiety feelings " that is only normal. This painter as his illustrious elder wants to express a desire for transcendence and his art within the areas of the pure spirit. Without marry automatism advocated by Breton, his spontaneous approach more akin to a form of writing lyrical, even poetic. The representation fades before the transfiguration of " the poetic moment " or " dream space " how also a Pierre Alechinsky. According to this same great painter, it is often chance that allows forward and according to its own motto: " discover in each breaststroke, our own nature ." ». But marrying not totally the cause of the surrealists, b. trawl corrects the spontaneity and sometimes the accident by the force of the brush. Often by simple touch and non-aggression, the hand of the painter turns each stroke as mysterious signs. The result is sometimes a Japanologist style or Asian perhaps premonitory? (watercolor: " arrival on paper ") »). From time to time the signs do not calm down the atmosphere. They act as disruptive elements.