VIEW IN MY ROOM
United States
Painting, Oil on Other
Size: 20 W x 20 H x 0.7 D in
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I made this painting as part of The Contemporary Indigenous Collection, where I interviewed people I met on my travels around South America to uncover it's true face; its influences and global diversity. I asked them if the native indigenous culture was present in their lives and how. Margerita Rvacheva Margo for short Heritage: Russian Living in Atacama Desert in Chile “So, I know that one part of mine is Kazakhs from Russia (free people) and another part - gypsy. I’m looking to go out from the actual system and be free. I like to be on the road. About South America, I can say that sometimes I feel that I’ve been an inca before, crossing all this area, sleeping in the desert, feeling the ground, animals, plants. When I visit some places around San Pedro in Atacama desert I just have a picture in my mind of walking through all this space. Sometimes I want to cry because my soul remembers some things from the past, remember these places. Difficult to explain but just emotions from the depth of mine.” The origins of Atacameño culture can be traced back to 500 AD. At the start of the 15th century, the Atacameño were conquered by the Incas, who introduced a new social order; the Inca sun cult and various customs including coca leaves. The Inca regime constructed roads from the Salar de Atacama to what is now north east Argentina.
Painting:Oil on Other
Original:One-of-a-kind Artwork
Size:20 W x 20 H x 0.7 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United States
For enquiries please get in touch through Unix Gallery, NYC. I am exploring my own personal mythology that speaks about identity and the core concerns of human existence. It's a constellation of my beliefs, feelings and images that construct my own explanation of the world. Some of the questions I ask through the work are, where do we come from, why is our planet and wellbeing so out of balance? Defaulting to fear and frustration rather than love and creation and how it is our responsibility individually to shift that. My research includes painting daily thoughts and stories. These stories are from personal experiences, observations, conversations and videos and books on the quantum field and the power of thought and intention. I am also looking at mythological paintings from the renaissance period and overlaying my reaction to them on top of the image. And continuing my research on western and eastern story telling through mythology and seeing where that leads me. The aesthetic framework that I am using is one of mythology; which portrays a sense of magic, morality, a life lesson and even mystical creatures. I have added a sense of lightheartedness to the work, almost childlike imagery or a larger scale sketch which provokes a freedom from the left brain thinking which is typical of the society we live in who struggle to obtain their connection to nature and intuition. My work ideally encourages one to see a point of view from an open mind, with fresh child like eyes.
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