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This is the third of the white encaustic painting series, the luminous texture of encaustic wax is difficult to photograph, but this minimalistic painting with plenty of empty space brings the viewer in to explore the calmness and depth within oneself. Made with cosmetic grade of wax, dammar from Indonesia and high grade of pigments, layer after layer of hot medium is painted and fused on braced wood panel.
This is the third of the white encaustic painting series, the luminous texture of encaustic wax is difficult to photograph, but this minimalistic painting with plenty of empty space brings the viewer in to explore the calmness and depth within oneself. Made with cosmetic grade of wax, dammar from Indonesia and high grade of pigments, layer after layer of hot medium is painted and fused on braced wood panel.
This is the third of the white encaustic painting series, the luminous texture of encaustic wax is difficult to photograph, but this minimalistic painting with plenty of empty space brings the viewer in to explore the calmness and depth within oneself. Made with cosmetic grade of wax, dammar from Indonesia and high grade of pigments, layer after layer of hot medium is painted and fused on braced wood panel.
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Contemplation Series - White Painting

Anita Niegsch

Germany

Painting, Wax on Wood

Size: 39.4 W x 47.2 H x 2 D in

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SOLD
Originally listed for $3,560
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About The Artwork

This is the third of the white encaustic painting series, the luminous texture of encaustic wax is difficult to photograph, but this minimalistic painting with plenty of empty space brings the viewer in to explore the calmness and depth within oneself. Made with cosmetic grade of wax, dammar from Indonesia and high grade of pigments, layer after layer of hot medium is painted and fused on braced wood panel.

Details & Dimensions

Painting:Wax on Wood

Original:One-of-a-kind Artwork

Size:39.4 W x 47.2 H x 2 D in

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Born in Wellingborough, England, 25 years of fast-paced London based travel industry work commitments took me world-wide. In 2009, I began oil painting under Talal Refit and continued for 6 years under Uwe Mueller (student of Henry Moore) at Kunstwerk in Wilhelmshaven, Germany. Somewhere along the road, I started experimenting with Encaustic and self-taught the wonderful medium of this ancient art, dating back between 1st - 3rd century. Today, for painting I alternate between encaustic on wood panels and oils on canvas working full-time at my atelier located in historic town of Jever, Germany.

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