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This tree stood alone as a stark witness to the felling of this part of the forest. Harvested for the pine wood, its neighbours lay stacked nearby as it stood alone under ceaseless wind. 
Painted alla prima, this piece is based on drawings and sketches I made while in the hills above the River Spey. 
The surface is unvarnished, with lightly textured paint and while the image does not carry around the edges, the edge is finished in a sympathetic tone allowing it to be hung unframed if desired. 
I want the viewer to empathise with this courageous tree, to feel its unwillingness to give up. I also hope they enjoy the almost liquid nature to the sky, that suggests movement and fluidity. 
I like to paint my skies in as few sittings as possible, especially in this case, as it allows the subject to maintain a certain voice, or nature that is akin to what it is representing. I also find this true with water. I feel if too much time is taken, sometimes it can render it static.
This tree stood alone as a stark witness to the felling of this part of the forest. Harvested for the pine wood, its neighbours lay stacked nearby as it stood alone under ceaseless wind. 
Painted alla prima, this piece is based on drawings and sketches I made while in the hills above the River Spey. 
The surface is unvarnished, with lightly textured paint and while the image does not carry around the edges, the edge is finished in a sympathetic tone allowing it to be hung unframed if desired. 
I want the viewer to empathise with this courageous tree, to feel its unwillingness to give up. I also hope they enjoy the almost liquid nature to the sky, that suggests movement and fluidity. 
I like to paint my skies in as few sittings as possible, especially in this case, as it allows the subject to maintain a certain voice, or nature that is akin to what it is representing. I also find this true with water. I feel if too much time is taken, sometimes it can render it static.
This tree stood alone as a stark witness to the felling of this part of the forest. Harvested for the pine wood, its neighbours lay stacked nearby as it stood alone under ceaseless wind. 
Painted alla prima, this piece is based on drawings and sketches I made while in the hills above the River Spey. 
The surface is unvarnished, with lightly textured paint and while the image does not carry around the edges, the edge is finished in a sympathetic tone allowing it to be hung unframed if desired. 
I want the viewer to empathise with this courageous tree, to feel its unwillingness to give up. I also hope they enjoy the almost liquid nature to the sky, that suggests movement and fluidity. 
I like to paint my skies in as few sittings as possible, especially in this case, as it allows the subject to maintain a certain voice, or nature that is akin to what it is representing. I also find this true with water. I feel if too much time is taken, sometimes it can render it static.
This tree stood alone as a stark witness to the felling of this part of the forest. Harvested for the pine wood, its neighbours lay stacked nearby as it stood alone under ceaseless wind. 
Painted alla prima, this piece is based on drawings and sketches I made while in the hills above the River Spey. 
The surface is unvarnished, with lightly textured paint and while the image does not carry around the edges, the edge is finished in a sympathetic tone allowing it to be hung unframed if desired. 
I want the viewer to empathise with this courageous tree, to feel its unwillingness to give up. I also hope they enjoy the almost liquid nature to the sky, that suggests movement and fluidity. 
I like to paint my skies in as few sittings as possible, especially in this case, as it allows the subject to maintain a certain voice, or nature that is akin to what it is representing. I also find this true with water. I feel if too much time is taken, sometimes it can render it static.
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Clearcut Painting

Daniel Martin Fairbairn

United Kingdom

Painting, Acrylic on Canvas

Size: 22 W x 18.1 H x 1.6 D in

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Originally listed for $675
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About The Artwork

This tree stood alone as a stark witness to the felling of this part of the forest. Harvested for the pine wood, its neighbours lay stacked nearby as it stood alone under ceaseless wind. Painted alla prima, this piece is based on drawings and sketches I made while in the hills above the River Spey. The surface is unvarnished, with lightly textured paint and while the image does not carry around the edges, the edge is finished in a sympathetic tone allowing it to be hung unframed if desired. I want the viewer to empathise with this courageous tree, to feel its unwillingness to give up. I also hope they enjoy the almost liquid nature to the sky, that suggests movement and fluidity. I like to paint my skies in as few sittings as possible, especially in this case, as it allows the subject to maintain a certain voice, or nature that is akin to what it is representing. I also find this true with water. I feel if too much time is taken, sometimes it can render it static.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:22 W x 18.1 H x 1.6 D in

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I grew up around the coast lines of England and Scotland, and spent 18 years working offshore. When this career came to an end I returned to paintiing and drew upon my experiences in my landscape. I work to convey my emotions to the viewer, allowing them to feel the portrayed landscape as I did.

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