VIEW IN MY ROOM
United States
Painting, Oil on Canvas
Size: 60 W x 48 H x 1.8 D in
Ships in a Crate
Shipping included
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Huppman started her series, "Lumina"in response to the global coronavirus crisis. The pieces in this series have a "corona"around edges of amorphous uncertainty. This piece is a dyptich. In titling this piece "Choose", Huppman engages the viewer in a thoughtful examination of choice. Why and how do we choose one action over another action? It is an exercise of discerning what is truly important and what is not. We make so many choices our of habit or reflex. Now that the world has distilled things down to essentials and we are required to slow down we can take the time to consciously, mindfully choose our path. The two halves of this piece may be hung together, touching or separated. It will arrive in a single crate, wired and ready to hang. Please note the accompanying detail photos. There are drips and bumps of paint on the surface which are part of the presence of the piece. Like our own skin these are not imperfections or flaws but a rich record of a history.
Multi-paneled Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:60 W x 48 H x 1.8 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I make abstract paintings. Many of them are monochromatic color field pieces. Some of them are made using a brighter louder palette and some are quieter and neutral. My process can best be described as playful exploration in search of deeper connection. I work intuitively, intertwining properties of form, color and light into various arrangements that are intended to elicit an emotional resonance in the viewer. The work spans a range of emotions from quiet reflection to exuberant joy. In my quest to connect I use a variety of techniques and media. I am constantly drawn to experiment with new materials and new compositions. I feel that I am a conduit for my materials. I am in a dance with the paint. There is a slow drag of the brush across the canvas with oil. Waterborne media are faster and more dynamic, interacting with gravity for splashes and drips. I want my subconscious to bypass my ego and drive the work. This is why I paint; to discover something completely unplanned, surprising and beautiful. I studied Art History at Princeton, as well as painting, under Michael David, Harvey Quaytman and Heidi Gluck but particularly under the tutelage of Sean Scully who was my thesis show advisor. I studied Critical Theory under David Shapiro, himself a student of Meyer Shapiro, and and while I thoroughly enjoy a good critical shredding, in the end, art is good if you, the viewer, like it.
Artist featured by Saatchi Art in a collection
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