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BODHISATTVA exhibition at Oporto, Portugal Painting

Graça Paz

Portugal

Painting, Acrylic on Paper

Size: 16.9 W x 23.6 H x 2.8 D in

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About The Artwork

To end in glory the synthesis of all the work carried out in 2017, 2018 inaugurates in OPorto an exhibition with the theme Bodhisattva. Bodhisattva of Shantideva, a way of life. Shantideva was one of the most beloved monks of Indian Buddhism in Sec. 8, and the poems of Bodhisattva the essential literary source for all Buddhists, in search of humility, altruism and compassion. I discovered the poems of Bodhisattva in one of the many videos that accompany me while I paint. Alternate between music, usually classical, and lectures, and both are primordial in the daily construction of the way I communicate what I mean by painting. Carmen Herrera says in her 100 years as a still active painter that if the painter wanted to speak, she would write, and I agree. There are things that do not need words, they are only translatable through the forms that in an extension of the heart to the hand are inscribed, in the screen often of way oblivious to what the painter initially would wish. The Bodhisattva poems, I heard them translated by the nun Pemma Chodrom, and I can say that they have made me a better, quieter human being, but still far from reaching it, that tranquility. Every day I would enter the atelier during the execution of these works and I would heard a lecture of 2 hours from the beginning, and every day, I would hear it repeated without ever being the same. As we are not perfect human beings, we find ourselves ... I was realizing that as I worked to the sound of Shantideva, the colors changed and the forms somehow brought me closer to that lightness of living that I am still far from achieving . That is why it is said that to look is to learn if we listen carefully, what works tell us. February 2018, over a year, the year 2017,

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:16.9 W x 23.6 H x 2.8 D in

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My painting began in the sweetest memory of my childhood of seeing my father always in love with music. He worked with classical music all his life and had a vinyl shop were I went to help him many times, and I remember the days when he came home late and closed himself to his zen moment and flooded our beds with Chopin, Bach and Ravel. When I started painting, first figurative, my search was always on abstracts, like a first love, so It all made sense when a kind of bridge built itself in the perfect timimming, between my work and music and the power of abstraction as a unique and individual inner sound.. When I was ready and had the courage to start painting abstract, I immediately perceived the intellectual demand that my choice brought me. There was behind the chosen forms a deep sense of being. That was when Bach came and gave meaning to my work. He brought me back the memories of my father's music, and that was the leap to interpret my favorite compositions on canvas like a golden hand that was given to me by fate, as in a dialogue between me and the composer or interpreter. It has become an exchange of emotions and the beginning of a long road leading me to the light in all themes that my interior need to provide, with the knowledge that it takes only one man to change something for the better in other people's lives. Art comes to the artist as a responsibility to serve. My name*s meaning conjuncts Grace (Graça) and Peace (Paz) and I born at 4 of March 1967 in Porto, and l presently live and works in the Rural north of Portugal in Minho.

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