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The technique I use is: stretched heavy canvases on resistant wooden reinforced chassis and professional acrylic pigments. At the end I covered with a glossy coat of varnish, to protect it against UV and dust. I used a decorative relief background and many neon nuances, nuances that could not be caught by the camera. Dimensions: 100x70x2 cm A little about me: what you might think it's an accident it is in reality a lot of years of studies and researches, a lot of experiments with many materials, some bought some made myself from old recipe. I painted in churches for more than 12 years in fresco, the same technique that Michelangelo painted the Sistine Chapel, and now, for several years I started to paint in watercolors, acrylics and oil colors. I enjoy the most big painting - after so much church painting it is easier for me in large formats - abstract or not. I sign and date on the front and I also put my relief wax signet.
The technique I use is: stretched heavy canvases on resistant wooden reinforced chassis and professional acrylic pigments. At the end I covered with a glossy coat of varnish, to protect it against UV and dust. I used a decorative relief background and many neon nuances, nuances that could not be caught by the camera. Dimensions: 100x70x2 cm A little about me: what you might think it's an accident it is in reality a lot of years of studies and researches, a lot of experiments with many materials, some bought some made myself from old recipe. I painted in churches for more than 12 years in fresco, the same technique that Michelangelo painted the Sistine Chapel, and now, for several years I started to paint in watercolors, acrylics and oil colors. I enjoy the most big painting - after so much church painting it is easier for me in large formats - abstract or not. I sign and date on the front and I also put my relief wax signet.
The technique I use is: stretched heavy canvases on resistant wooden reinforced chassis and professional acrylic pigments. At the end I covered with a glossy coat of varnish, to protect it against UV and dust. I used a decorative relief background and many neon nuances, nuances that could not be caught by the camera. Dimensions: 100x70x2 cm A little about me: what you might think it's an accident it is in reality a lot of years of studies and researches, a lot of experiments with many materials, some bought some made myself from old recipe. I painted in churches for more than 12 years in fresco, the same technique that Michelangelo painted the Sistine Chapel, and now, for several years I started to paint in watercolors, acrylics and oil colors. I enjoy the most big painting - after so much church painting it is easier for me in large formats - abstract or not. I sign and date on the front and I also put my relief wax signet.
The technique I use is: stretched heavy canvases on resistant wooden reinforced chassis and professional acrylic pigments. At the end I covered with a glossy coat of varnish, to protect it against UV and dust. I used a decorative relief background and many neon nuances, nuances that could not be caught by the camera. Dimensions: 100x70x2 cm A little about me: what you might think it's an accident it is in reality a lot of years of studies and researches, a lot of experiments with many materials, some bought some made myself from old recipe. I painted in churches for more than 12 years in fresco, the same technique that Michelangelo painted the Sistine Chapel, and now, for several years I started to paint in watercolors, acrylics and oil colors. I enjoy the most big painting - after so much church painting it is easier for me in large formats - abstract or not. I sign and date on the front and I also put my relief wax signet.
The technique I use is: stretched heavy canvases on resistant wooden reinforced chassis and professional acrylic pigments. At the end I covered with a glossy coat of varnish, to protect it against UV and dust. I used a decorative relief background and many neon nuances, nuances that could not be caught by the camera. Dimensions: 100x70x2 cm A little about me: what you might think it's an accident it is in reality a lot of years of studies and researches, a lot of experiments with many materials, some bought some made myself from old recipe. I painted in churches for more than 12 years in fresco, the same technique that Michelangelo painted the Sistine Chapel, and now, for several years I started to paint in watercolors, acrylics and oil colors. I enjoy the most big painting - after so much church painting it is easier for me in large formats - abstract or not. I sign and date on the front and I also put my relief wax signet.
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Blue Illumination - 100x70 cm - Big Painting XL - Large Abstract, Supersized Painting - Ready to Hang, Hotel Wall Decor, Perfect Gift Painting

SOOS TIBERIU

Romania

Painting, Acrylic on Canvas

Size: 39.4 W x 27.6 H x 0.8 D in

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Originally listed for $432
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About The Artwork

The technique I use is: stretched heavy canvases on resistant wooden reinforced chassis and professional acrylic pigments. At the end I covered with a glossy coat of varnish, to protect it against UV and dust. I used a decorative relief background and many neon nuances, nuances that could not be caught by the camera. Dimensions: 100x70x2 cm A little about me: what you might think it's an accident it is in reality a lot of years of studies and researches, a lot of experiments with many materials, some bought some made myself from old recipe. I painted in churches for more than 12 years in fresco, the same technique that Michelangelo painted the Sistine Chapel, and now, for several years I started to paint in watercolors, acrylics and oil colors. I enjoy the most big painting - after so much church painting it is easier for me in large formats - abstract or not. I sign and date on the front and I also put my relief wax signet.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 27.6 H x 0.8 D in

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« Painting is a process of the mind! » Tiberiu Soos is an experienced artist from Romania whose paintings have been featured in exhibitions internationally. Raised in a family of artists, Soos originally developed his artistic style painting large scale murals and now creates vibrant abstract works in acrylic or oil on canvas. Using a neon color palette, his paintings explore both organic and geometric shapes, resulting in energetic explosions of color.

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