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'Always Moving and Goin' Nowhere' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 40 W x 80 H x 1.5 D in

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About The Artwork

As I walk this land with broken dreams I have visions of many things But happiness is just an illusion Filled with sadness and confusion What becomes of the broken-hearted Who had love that's now departed? I know I've got to find Some kind of peace of mind Maybe The roots of love grow all around But for me they come a-tumblin' down Every day heartaches grow a little stronger I can't stand this pain much longer I walk in shadowsm searching for light Cold and alone, no comfort in sight Hoping and praying for someone to care Always moving and goin' nowhere What becomes of the broken-hearted Who had love that's now departed? I know I've got to find Some kind of peace of mind Help me I'm searching, though I don't succeed But someone look, there's a growing need Oh, he is lost, there's no place for beginning All that's left is an unhappy ending Now, becomes of the broken-hearted Who had love that's now departed? I know I've got to find Some kind of peace of mind I'll be searching everywhere Just to find someone to care I'll be looking everyday, I know I'm gonna find a way Nothing's gonna stop me now I'll find a way somehow And I'll be searching everywhere I know I gotta find a way I'll be looking 'What Becomes Of The Brokenhearted’ by Jimmy Ruffin Songwriters: James Anthony Dean / Paul Riser / William Henry Witherspoonn "What Becomes of the Brokenhearted" is a hit single recorded by Jimmy Ruffin and released on Motown Records' Soul label in the summer of 1966. It is a ballad, with lead singer Jimmy Ruffin recalling the pain that befalls the brokenhearted, who had love that's now departed. The song essentially deals with the struggle to overcome sadness while seeking a new relationship after a breakup. The tune was written by William Weatherspoon, Paul Riser, and James Dean, and the recording was produced by Weatherspoon and William "Mickey" Stevenson. "What Becomes of the Brokenhearted" remains one of the most-revived of Motown's hits. Composers Weatherspoon and Riser and lyricist Dean had originally written "What Becomes of the Brokenhearted" with the intention of having the Spinners, then an act on Motown's V.I.P. label, record the tune. Jimmy Ruffin, older brother of Temptationslead singer David Ruffin, persuaded Dean to let him record the song, as its anguished lyric about a man lost in the misery of heartbreak resonated with the singer. Ruffin's lead vocal on the recording is augmented by the instrumentation of Motown's in-house studio band, the Funk Brothers, and the joint backing vocals of Motown session singers the Originals and the Andantes. "What Becomes of the Brokenhearted" peaked at number seven on the Billboard Hot 100, and at number six on the Billboard R&B Singles chart, as well as No. 8 on the UK Chart. Eight years later, the song was reissued (with a B-side of Ruffin's minor US hit "Don't You Miss Me a Little Bit Baby"), and surpassed its original chart position, reaching No. 4, and thus making it his highest-placed chart single in the UK. The song originally featured a spoken introduction by Ruffin, similar in style to many of Lou Rawls' performances at the time. The spoken verse was removed from the final mix, hence the unusually long instrumental intro on the released version. The spoken verse is present on the alternate mix from the UK 2003 release Jimmy Ruffin - The Ultimate Motown Collection, and as a new stereo extended mix on the 2005 anthology, The Motown Box: A world filled with love is a wonderful sight. Being in love is one's heart's delight. But that look of love isn't on my face. That enchanted feeling has been replaced. Jimmy Lee Ruffin (May 7, 1936 – November 17, 2014) was an American soul singer, and elder brother of David Ruffin of the Temptations. He had several hit records between the 1960s and 1980s, the most successful being the Top 10 hits "What Becomes of the Brokenhearted" and "Hold On (To My Love)”. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 80 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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