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The series "Communities chromatic" is characterized by an "all over" painting, a term that refers to the New York school, between the 40 and 60 of the twentieth century, to define a type of painting without a line of horizon, Which treats the surface of the painting all equally creating a sensation of immersion in the pictorial space. My intention is to create a direct connection between space, painting and spectator, through color. Go to a rhythm and an intermittent vibration; That sound almost hypnotic for the eye of the beholder. I accompany each painting with another, as part of a larger sequence, to generate sensations, climates, or an atmosphere of possible connections. My work is developed between painting and design. It could be defined as a digitally painted image or a painting that looks like a digital image. It is an image in the interstice of two languages. The digital image is crystallized in the painting preserving its pregnancy and simplicity. A structural scheme that is maintained, plus a variable color = multiple readings. In this sense "Chromatic communities" is a metaphor of the multitude, it is the abundance of people or things that make up a society with their differences and similarities. A social community that, like color, manifests itself as a relation of reciprocity, not necessarily of equality, where intersections are that space of exchange (transparencies, gradients). A color that, like people, relates to another and mixes, is filled with influences and senses.
The series "Communities chromatic" is characterized by an "all over" painting, a term that refers to the New York school, between the 40 and 60 of the twentieth century, to define a type of painting without a line of horizon, Which treats the surface of the painting all equally creating a sensation of immersion in the pictorial space. My intention is to create a direct connection between space, painting and spectator, through color. Go to a rhythm and an intermittent vibration; That sound almost hypnotic for the eye of the beholder. I accompany each painting with another, as part of a larger sequence, to generate sensations, climates, or an atmosphere of possible connections. My work is developed between painting and design. It could be defined as a digitally painted image or a painting that looks like a digital image. It is an image in the interstice of two languages. The digital image is crystallized in the painting preserving its pregnancy and simplicity. A structural scheme that is maintained, plus a variable color = multiple readings. In this sense "Chromatic communities" is a metaphor of the multitude, it is the abundance of people or things that make up a society with their differences and similarities. A social community that, like color, manifests itself as a relation of reciprocity, not necessarily of equality, where intersections are that space of exchange (transparencies, gradients). A color that, like people, relates to another and mixes, is filled with influences and senses.
The series "Communities chromatic" is characterized by an "all over" painting, a term that refers to the New York school, between the 40 and 60 of the twentieth century, to define a type of painting without a line of horizon, Which treats the surface of the painting all equally creating a sensation of immersion in the pictorial space. My intention is to create a direct connection between space, painting and spectator, through color. Go to a rhythm and an intermittent vibration; That sound almost hypnotic for the eye of the beholder. I accompany each painting with another, as part of a larger sequence, to generate sensations, climates, or an atmosphere of possible connections. My work is developed between painting and design. It could be defined as a digitally painted image or a painting that looks like a digital image. It is an image in the interstice of two languages. The digital image is crystallized in the painting preserving its pregnancy and simplicity. A structural scheme that is maintained, plus a variable color = multiple readings. In this sense "Chromatic communities" is a metaphor of the multitude, it is the abundance of people or things that make up a society with their differences and similarities. A social community that, like color, manifests itself as a relation of reciprocity, not necessarily of equality, where intersections are that space of exchange (transparencies, gradients). A color that, like people, relates to another and mixes, is filled with influences and senses.
The series "Communities chromatic" is characterized by an "all over" painting, a term that refers to the New York school, between the 40 and 60 of the twentieth century, to define a type of painting without a line of horizon, Which treats the surface of the painting all equally creating a sensation of immersion in the pictorial space. My intention is to create a direct connection between space, painting and spectator, through color. Go to a rhythm and an intermittent vibration; That sound almost hypnotic for the eye of the beholder. I accompany each painting with another, as part of a larger sequence, to generate sensations, climates, or an atmosphere of possible connections. My work is developed between painting and design. It could be defined as a digitally painted image or a painting that looks like a digital image. It is an image in the interstice of two languages. The digital image is crystallized in the painting preserving its pregnancy and simplicity. A structural scheme that is maintained, plus a variable color = multiple readings. In this sense "Chromatic communities" is a metaphor of the multitude, it is the abundance of people or things that make up a society with their differences and similarities. A social community that, like color, manifests itself as a relation of reciprocity, not necessarily of equality, where intersections are that space of exchange (transparencies, gradients). A color that, like people, relates to another and mixes, is filled with influences and senses.
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abstract comunidad cromática mural Painting

Adriana Ablin Abstract Painter

Argentina

Painting, Acrylic on Canvas

Size: 531.5 W x 47.2 H x 0.8 D in

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Originally listed for $26,000
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About The Artwork

The series "Communities chromatic" is characterized by an "all over" painting, a term that refers to the New York school, between the 40 and 60 of the twentieth century, to define a type of painting without a line of horizon, Which treats the surface of the painting all equally creating a sensation of immersion in the pictorial space. My intention is to create a direct connection between space, painting and spectator, through color. Go to a rhythm and an intermittent vibration; That sound almost hypnotic for the eye of the beholder. I accompany each painting with another, as part of a larger sequence, to generate sensations, climates, or an atmosphere of possible connections. My work is developed between painting and design. It could be defined as a digitally painted image or a painting that looks like a digital image. It is an image in the interstice of two languages. The digital image is crystallized in the painting preserving its pregnancy and simplicity. A structural scheme that is maintained, plus a variable color = multiple readings. In this sense "Chromatic communities" is a metaphor of the multitude, it is the abundance of people or things that make up a society with their differences and similarities. A social community that, like color, manifests itself as a relation of reciprocity, not necessarily of equality, where intersections are that space of exchange (transparencies, gradients). A color that, like people, relates to another and mixes, is filled with influences and senses.

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:531.5 W x 47.2 H x 0.8 D in

Number of Panels:2

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Visual Artist, Graphic Designer. Color is the narrative backbone of my work. I understand color as the expression of a bond, a relationship of concomitance. Remove the manual gesture to emphasize a perceptual quality optics. I use as constants, repeat operations, rotation and distortion. Interested rescue what Gestalt defined as pregnancia, sharp image as it exposes faults of perception. For example optical illusions, creating shapes and colors of unstable appearance, which become background and vice versa or that seem to compose new figures, or appear to move. I think each painting accompanied by another, as part of or within a larger sequence, to generate feelings, climate, or an atmosphere of connections open to interpretation. Adriana Ablin was born in 1977 in Buenos Aires, Argentina, where she lives and work. In 2001 she Graduated from Escuela Nacional de Bellas Artes Prilidiano Pueyrredón IUNA and in 2006 graduated as a Graphics Designer. Attended workshops of painters Miguel Dávila and Jorge Demirjián. Between 2009 and 2010 she went to Tulio Sagastizábal´s critique group. In year 2000 she began teaching in her private studio in Montserrat and since 2009 she moved to Retiro to continue teaching. Since 2001 she teaches Morphology at the Graphics Design Carrer in Buenos Aires University, UBA. In 2006 coordinated Apice Art, a project involving various emerging artists, whose goal was to create a space that allowed them to display, disseminate their work and liaise with other viewers and artists. She continues the development of her painting and participates in Group and Solo exhibitions. www.adrianaablin.com.ar www.adrianaablin.blogspot.com.ar www.boladenieve.org.ar/artista/7339/ablin-adriana

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