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Absence Painting

Grace Ann Cummings

United States

Painting, Oil on Canvas

Size: 12 W x 16 H x 0.1 D in

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About The Artwork

This painting was incredibly difficult to photograph which plays true to its content. It's question: "Before you were born, Did you miss yourself?" is a play on mortality and how it happens to each of us twice; suggesting that mortality is a tempo, not a cause or result. The chaos on the canvas is associated with the crisis of this question, and the mirrors offer redemption to Narcissus with the suggestion that each of us is a resurrection/reflection of consciousness at our birth.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:12 W x 16 H x 0.1 D in

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I tell people that I paint God’s mistake which I know is controversial whether you are deeply religious or the opposite such as atheist. Yet my work is not about God, religion or atheism. My art is about the trauma associated with the inescapable relationship that mortality has with innocence. Our birth is not the intent of mortality, but it necessarily creates our personal annihilation. This personal destiny leaves each of us vulnerable to condemning our connection with innocent others who “created us to die” without our permission. Our “error” is our ownership of blame for mortality which is not the power over death; it is our power over cruelty. This inescapable destiny is where my art begins its expression(s). MY ART I use the ancient form of 2-D art to represent TIME as broken yet unfinished and continuing. Like the backside of a hung painting, we are absent before our birth and brought into reality through “others” who have marked our canvas of life already. Once born we see ourselves reflected on the "front side" of life yet witness our previous absence. My art examines this division as the relationship between hope and trust relevant to innocence. The change that each of us becomes by birth is a natural expression from life that we can perceive as a tradition of change. My art celebrates this with my rotation of mediums, vivid colors, energetic brush strokes, narratives of time-conflict, emotional dichotomies, vortex compositions showing our inescapable connection to a fractured reality, rhetorical word-play, and weapons symbolizing our relationship with mortal vulnerability. My “signature” is broken mirrors that capture the WITNESS as part of my art reminding us of our entitlement to mortal existence.

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