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Matchoro Guy

France

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 0.8 D in

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Originally listed for $2,000
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About The Artwork

When the doors are closed and we are asked to maintain the distances, the walls, to be at the distance necessary to try to contain the spread of the virus, we say that what brings us together has something to do with the ability to rise together. … And all the paradox, the challenge are there: It is in these times when the walls are built, where the doors close, where the borders become hermetic, that perhaps we need more than ever to understand how to find ourselves differently, thinking about what allows us to keep leaving windows of thought open. It is a question of mobilizing in us perhaps all that is necessary to cross this moment of truth, of oneself as a part of the whole in a particular consciousness of what connects us to each other at a time when each of us is aware of the few things that life holds. What, in this crisis, in this crossing, can make my humanity greater or vice versa risks diminishing it, even breaking it. What makes the human in me, amplified and made more noble to be a wise humanity in this collective delivery room.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 0.8 D in

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Statement: REALITY IS IN THE MANUFACTURE OF THE PAINTING. WHO: Guy Matchoro, is an autodidact artist. He lives and works in Nevers, France, where he has installed his studio since 2013. After a creative process nourished and fuelled with encounters and artistic collaborations, in particular in Kyoto, Japan, where he lived for a time, he focuses its studies towards a pictorial approach based and thought from a materiality of painting. WHAT: I began the past years a pictorial practice fully based and thought from what was strictly physical and material in painting. I have always been fascinated by the materiality of painting by its tactile side - its tactility and how this affinity should be able to finally transmit feelings and ideas which could be very very abstract. My relationship to painting is not any more in term of capture of the real-world. It is the picture in itself which is reality. What is the reality ? It's the reality of the act to paint which comes to appear there. I any more will not seek something elsewhere to nourish it or to justify it. WHERE: I placed myself by the teachings that I have learned from painters, books, museums, exhibitions, writings, but even more by traveling around the world... And the development of the practice in this line, while on the move, or working in the studio, in front of that tradition of the abstraction not like a stylistic choice but rather like a way of placing itself with respect vis-à-vis the Real. WHEN: My «job» as a painter is made up of moments. A series of moments of truth which represent actually the taking risk of the artist. The moment of truth is “of truth” when it irreversibly fixes something on which you cannot return: One moment that you cannot play again. If time is closed implacably with our incapacity to be able to play again, in the same time, it opens us to an infinite depth with freedom to produce the new one. Painting confirms what time affirms while making use as much of the daily life that moments of truth which are works of art. A time when nostalgia under the influence of memory leaves place and gives life to the merry assent of the incipient future.

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