VIEW IN MY ROOM
35 years Painting
South Korea
Painting, Resin on Other
Size: 13.4 W x 11.8 H x 7.9 D in
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About The Artwork
‘35years’ _ Materials from deconstructed objects which are collected from a private house, Resin, Wooden box, Acrylic sheet _ 30 x 34 x 20 cm, 2019 “ In the heart of a garden colony in Berlin-Charlottenburg, the exhibition “FACING REALITIES” explores the dispositif of allotment gardening in Germany by more than 30 contemporary positions. A 300sqm gardening plot which belonged to a family of policemen for 35 years serves as the starting point for the exploration of the sociotope of the interaction between identity and common understanding of the colonists. The perspectives on this phenomena could hardly be more diverse: More than 30 Berlin-based German and international artists aged between 19 and 59 explore this microcosm by incorporating the legacy of the former owners of the allotment garden and put them indoor and outdoor in the context of their respective medium – whether it be painting, sculpture, assemblage, photography, moving images, animation, performance or dance art. Thus, a polyphonic commentary on our times arises between the tension field of deconstruction of tradition and construction of significance. “ _ ( Art Union ) In this project, Yang collected a variety of things which the police family have been using or working on when they lived in the house. ( Like : Ashtrays, vases, glasses, plates, garden ornaments, candle holders, books, towels, etc ) Then she shattered them with a hammer and sealed them into small cubes using resin.
Details & Dimensions
Painting:Resin on Other
Original:One-of-a-kind Artwork
Size:13.4 W x 11.8 H x 7.9 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
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Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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South Korea
Born in South Korea Live & work : Berlin <-> South Korea Jazoo Yang is a Korean mixed media artist based in Berlin. She often distorts public spaces to profound ends. With a mixture of concept-focused art and an intriguing visual palette, she questions the relationship between ourselves and the spaces that we inhabit. Her more recent practice has focused on the transformation of housing in the city and the gentrification that is pushing local residents from their homes. The 'Materials Series' is an amalgamation of the diverse, the distant, and the disregarded. Formed of the lost fragments of urban life that she rescues before their inevitable disappearance – remnants of a building’s outer walls, scraps of wallpaper from an interior, the remains of antique tiles – these often silent, ignored objects are here transformed from the mundane, and framed to acknowledge the immensity of the intimate. Furthermore, while developing projects related to the issues of redevelopment, Yang keeps an interest in what the original senses of human beings might be like within the rapid changes of a city. The speed of city life runs much faster than that of the human body, thus enforcing its speed on the people living in that city. This situation, maybe even a violent one, may damage delicate aspects of the human senses. Yang is not only concerned with the material elements that make up our cities and about those living there, she also devotes herself to the details of natural systems, which unfold in urban space, yet remain invisible.
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