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The cattle robbery - self-portrait in fighting rage Drawing

Susanne Haun

Germany

Drawing, Ink on Paper

Size: 11.8 W x 15.7 H x 0 D in

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About The Artwork

Haun drew the picture Kampfeswut after reading the Irish saga "The cattle robbery". Inspired by mythological images such as "He squeezed one eye narrower than the eye of a needle, the other he opened wider than the mouth of a cup. He bare his jaws to the ear, he pushed his lips back to the molars so that his gullet was visible". she drew the present picture. Haun himself served as the model for the picture, captured in a scream of rage. Susanne Haun uses lightfast antique ink and watercolor cardboard, 300g/m2 from Hahnemühle. The work is framed under glass with a white wooden strip and passpartout in the size 50 x 40 cm.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:11.8 W x 15.7 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work as an artist is like an additional sense organ for me. Until a complete statement desired by me emerges, I design and discard ideas in my head. Art is my language, my exchange with the environment, the way to make my ideas visible. As materials for my drawings I use ink and steel / drawing pens and brushes on handmade paper, canvas and glass. I work serially and project-based. I am interested in the passage of time, which I document in my blog (www.susannehaun.com), which I fill since March 2009 almost daily with words and images. For my large-format canvases, I use acrylic paints and oil crayons in addition to ink. Most often I present my up to 4 meters long and 2 meters wide canvases without stretcher as flags painted on both sides in the room, gladly the artworks may lie completely or partially on the floor. When I read, images arise in my head, which I convert into paintings. Smaller ink drawings I bundle in artist unique books. Nature inspires me: I immediately see the lines and surfaces when I look at them. In color charts I consider the coordination of color for my paintings. The contrast and ink applied with brush and pen on an acrylic background is one of my favorite pictorial elements. In my work I am as minimalist as necessary. For many artists, the creative process stops after the individual work is created. For me, the process continues when the art is assembled and presented. It is in the interaction with the audience that the art begins to live and work for me.

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