VIEW IN MY ROOM
Germany
Drawing, Ink on Paper
Size: 31.5 W x 23.6 H x 0.4 D in
Ships in a Box
Susanne Haun repeatedly deals with dream islands in her work. It is important to her that the islands do not lie flat in the sea, but that mountains as high as possible enclose the scenery. The viewer has to look up at the mountains and thus experiences the sublimity of the picture. There are no limits to the artist's imagination, dancing women, bees, a skeleton populate the island as well as hollyhocks (mallows) and a lonely boat in which one is tempted to get on. The landscape is created by soft to strong, moving whispers. Haun does not sketch, the waterproof ink determines her work of art without giving her the opportunity to correct it. Here she chose the classic sepia colored ink. A color that Dürer and Rubens already used in their drawings. Susanne Haun uses high-quality Hahnemühle handmade paper and lightfast Rohrer antique ink.
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:31.5 W x 23.6 H x 0.4 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
My work as an artist is like an additional sense organ for me. Until a complete statement desired by me emerges, I design and discard ideas in my head. Art is my language, my exchange with the environment, the way to make my ideas visible. As materials for my drawings I use ink and steel / drawing pens and brushes on handmade paper, canvas and glass. I work serially and project-based. I am interested in the passage of time, which I document in my blog (www.susannehaun.com), which I fill since March 2009 almost daily with words and images. For my large-format canvases, I use acrylic paints and oil crayons in addition to ink. Most often I present my up to 4 meters long and 2 meters wide canvases without stretcher as flags painted on both sides in the room, gladly the artworks may lie completely or partially on the floor. When I read, images arise in my head, which I convert into paintings. Smaller ink drawings I bundle in artist unique books. Nature inspires me: I immediately see the lines and surfaces when I look at them. In color charts I consider the coordination of color for my paintings. The contrast and ink applied with brush and pen on an acrylic background is one of my favorite pictorial elements. In my work I am as minimalist as necessary. For many artists, the creative process stops after the individual work is created. For me, the process continues when the art is assembled and presented. It is in the interaction with the audience that the art begins to live and work for me.
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