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My drawings arise from the confrontation between what I want and what I get; a leap into uncertainty between the desire to do and the impotence of doing it. The body.oscillating.is in the middle. Each line is the trace of a movement. The work is constructed by accumulation, color on color and line upon line. The strokes are like a bridge between two shores, a web that links fragments. Intensity is an essential component of my work and forms part of a vital dynamic. The experiential operates as a time shift: a difference that is installed on the continuum of reality; a gap that lets you see what is hidden from the view. The pencil tip releases material into the interstices of the paper, covering the paper grain; and if it does not, another stroke will cover this supporting skin. The sound made by the pencil as it touches the surface of the paper becomes a mantra, which with repetition restores my balance. The line is always the same; it repeats itself again and again; the body moves; the arm moves up and down, the hand holds a pencil; and the pencil color is the difference. In the face of a support vacuum, I build a scaffolding of lines and color, which create their own time and space and where each viewer finds his/her metaphor.
My drawings arise from the confrontation between what I want and what I get; a leap into uncertainty between the desire to do and the impotence of doing it. The body.oscillating.is in the middle. Each line is the trace of a movement. The work is constructed by accumulation, color on color and line upon line. The strokes are like a bridge between two shores, a web that links fragments. Intensity is an essential component of my work and forms part of a vital dynamic. The experiential operates as a time shift: a difference that is installed on the continuum of reality; a gap that lets you see what is hidden from the view. The pencil tip releases material into the interstices of the paper, covering the paper grain; and if it does not, another stroke will cover this supporting skin. The sound made by the pencil as it touches the surface of the paper becomes a mantra, which with repetition restores my balance. The line is always the same; it repeats itself again and again; the body moves; the arm moves up and down, the hand holds a pencil; and the pencil color is the difference. In the face of a support vacuum, I build a scaffolding of lines and color, which create their own time and space and where each viewer finds his/her metaphor.
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VIEW IN MY ROOM

Cuatro curvas rojas Drawing

Cintia Garcia

Spain

Drawing, Pencil on Paper

Size: 59.1 W x 58.9 H x 0 D in

Ships in a Tube

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SOLD
Originally listed for $2,210
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351 Views
9

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About The Artwork

My drawings arise from the confrontation between what I want and what I get; a leap into uncertainty between the desire to do and the impotence of doing it. The body.oscillating.is in the middle. Each line is the trace of a movement. The work is constructed by accumulation, color on color and line upon line. The strokes are like a bridge between two shores, a web that links fragments. Intensity is an essential component of my work and forms part of a vital dynamic. The experiential operates as a time shift: a difference that is installed on the continuum of reality; a gap that lets you see what is hidden from the view. The pencil tip releases material into the interstices of the paper, covering the paper grain; and if it does not, another stroke will cover this supporting skin. The sound made by the pencil as it touches the surface of the paper becomes a mantra, which with repetition restores my balance. The line is always the same; it repeats itself again and again; the body moves; the arm moves up and down, the hand holds a pencil; and the pencil color is the difference. In the face of a support vacuum, I build a scaffolding of lines and color, which create their own time and space and where each viewer finds his/her metaphor.

Details & Dimensions

Drawing:Pencil on Paper

Original:One-of-a-kind Artwork

Size:59.1 W x 58.9 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I live in Barcelona, Spain. I was born in Bahi­a Blanca on December 9, 1969. When I was 6 years old, along with my parents and brothers, I moved to Sierra Grande, a desolate mining town in Patagonia Argentina. Then we traveled north and settled in Carmen de Patagones. I lived 20 years in Patagonia. From that experience I remember the endless views over the desert plateau sinking into the sea. Orange sunsets while paddling on the Rio Negro. Cold and windy. Blue sky and loneliness. At the age of 26 I moved to Buenos Aires, where I lived until 2016. In 2016 I moved to Barcelona, Spain, and this is where I live, work, have family and friends. My artworks arise from the confrontation between what I want and what I get; a leap into uncertainty between the desire to do and the impotence of doing it. The body"”oscillating"”is in the middle. Each line is the trace of a movement. The work is constructed by accumulation, color on color and line upon line. The strokes are like a bridge between two shores, a web that links fragments. Intensity is an essential component of my work and forms part of a vital dynamic. The experiential operates as a time shift: a difference that is installed on the continuum of reality; a gap that lets you see what is hidden from the view. http://www.cintiagarcia.com/ http://www.youtube.com/watch?v=E6KV229O9XQ

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