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'All these squawking birds won't quit' Drawing

Philip Leister

Drawing, Paint Pen on Canvas

Size: 30 W x 10 H x 0 D in

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About The Artwork

I think I'll go home and mull this over Before I cram it down my throat At long last it's crashed, its colossal mass Has broken up into bits in my moat Lift the mattress off the floor Walk the cramps off Go meander in the cold Hail to your dark skin Hiding the fact you're dead again Underneath the power lines seeking shade Far above our heads are the icy heights that contain all reason It's a luscious mix of words and tricks That let us bet when you know we should fold On rocks I dreamt of where we'd stepped And of the whole mess of roads we're now on Hold your glass up, hold it in Never betray the way you've always known it is One day I'll be wondering how I got so old just wondering how Never got cold wearing nothing in the snow This is way beyond my remote concern Of being condescending All these squawking birds won't quit Building nothing, laying bricks Hold your glass up, hold it in Never betray the way you've always known it is One day I'll be wondering how I got so old just wondering how Never got cold wearing nothing in the snow This is way beyond my remote concern Of being condescending All these squawking birds won't quit Building nothing, laying bricks ‘Caring is Creepy’ by The Shins Songwriter: James Russell Mercer Oh, Inverted World is the debut studio album by American indie rock band The Shins, released on June 19, 2001 to critical acclaim. Omnibus Records put out an initial run of vinyl distributed by Darla. Sub Pop Records reprinted the vinyl, but the Sub Pop logo only appears on later pressings. The album contains the songs "Caring Is Creepy" and "New Slang", both of which appeared in the 2004 film Garden State. The Shins are an American indie rock band formed in Albuquerque, New Mexico in 1996. Its current lineup is James Mercer(vocals, guitar, bass, keyboards, songwriter), Jon Sortland (drums), Mark Watrous (guitar, keyboards), Casey Foubert (guitar), Yuuki Matthews (bass, keyboards), and Patti King (keyboards). They are based in Portland, Oregon. The band was formed by Mercer as a side project to Flake Music, who were active from 1992 to 1999. Flake Music released two 7" singles and a full-length album When You Land Here It's Time to Return on Omnibus Records and were touring with Modest Mouse when they were signed to Sub Pop Records. The band's first two records, Oh, Inverted World (2001) and Chutes Too Narrow (2003) performed well commercially and received critical acclaim. The single "New Slang" brought the band mainstream attention when it was featured in the 2004 film Garden State. Consequently, the band's third album, Wincing the Night Away (2007), was a major success for the group, peaking at number two on the Billboard 200 and earning a Grammy Award nomination. Following this, the Shins signed to Columbia Records and Mercer parted ways with the entire original lineup, deeming it "an aesthetic decision." Following a near five-year hiatus, Port of Morrow, the band's fourth studio album, was released in 2012. Their fifth album, Heartworms, was released in March 2017. Source: Wikipedia

Details & Dimensions

Drawing:Paint Pen on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 10 H x 0 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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