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This work was made for the El Velorio: “The Afterlife” exhibition in 2019 and was inspired by a vintage turn of the century book entitled "The Pilgrim's Progress" by John Bunyan that someone gave to me last year. The book's illustrations (drawings on wood) by George Cruikshank serves as the backbone of the cross, while the text creates the pillars on which the middle stands. In the middle, placed upon harborer is a woman, masked with roses. 

Now I'm not a very religious person. I tend to rely on the fact that I have no idea what to expect when I die, and I'd like to keep it that way. I mean, it's kind of the ultimate surprise party. But to envision a world where you fight the devil, who is a massive horrible beast and you are just a wee small weakling and then are honored by being sent to an awesome place with angels floating and all the best stuff that lasts forever... it 's a pretty great story, even if that's all it is. It's a lot better than believing that nothing happens to you when you die. That's... well that's just not very pretty is it? So even if it is a lie, what world would you rather live in, or die in?
This work was made for the El Velorio: “The Afterlife” exhibition in 2019 and was inspired by a vintage turn of the century book entitled "The Pilgrim's Progress" by John Bunyan that someone gave to me last year. The book's illustrations (drawings on wood) by George Cruikshank serves as the backbone of the cross, while the text creates the pillars on which the middle stands. In the middle, placed upon harborer is a woman, masked with roses. 

Now I'm not a very religious person. I tend to rely on the fact that I have no idea what to expect when I die, and I'd like to keep it that way. I mean, it's kind of the ultimate surprise party. But to envision a world where you fight the devil, who is a massive horrible beast and you are just a wee small weakling and then are honored by being sent to an awesome place with angels floating and all the best stuff that lasts forever... it 's a pretty great story, even if that's all it is. It's a lot better than believing that nothing happens to you when you die. That's... well that's just not very pretty is it? So even if it is a lie, what world would you rather live in, or die in?
This work was made for the El Velorio: “The Afterlife” exhibition in 2019 and was inspired by a vintage turn of the century book entitled "The Pilgrim's Progress" by John Bunyan that someone gave to me last year. The book's illustrations (drawings on wood) by George Cruikshank serves as the backbone of the cross, while the text creates the pillars on which the middle stands. In the middle, placed upon harborer is a woman, masked with roses. 

Now I'm not a very religious person. I tend to rely on the fact that I have no idea what to expect when I die, and I'd like to keep it that way. I mean, it's kind of the ultimate surprise party. But to envision a world where you fight the devil, who is a massive horrible beast and you are just a wee small weakling and then are honored by being sent to an awesome place with angels floating and all the best stuff that lasts forever... it 's a pretty great story, even if that's all it is. It's a lot better than believing that nothing happens to you when you die. That's... well that's just not very pretty is it? So even if it is a lie, what world would you rather live in, or die in?
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Blind Faith Collage

Annie Terrazzo

United States

Collage, Paper on Wood

Size: 14 W x 20 H x 2 D in

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SOLD
Originally listed for $515
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About The Artwork

This work was made for the El Velorio: “The Afterlife” exhibition in 2019 and was inspired by a vintage turn of the century book entitled "The Pilgrim's Progress" by John Bunyan that someone gave to me last year. The book's illustrations (drawings on wood) by George Cruikshank serves as the backbone of the cross, while the text creates the pillars on which the middle stands. In the middle, placed upon harborer is a woman, masked with roses. Now I'm not a very religious person. I tend to rely on the fact that I have no idea what to expect when I die, and I'd like to keep it that way. I mean, it's kind of the ultimate surprise party. But to envision a world where you fight the devil, who is a massive horrible beast and you are just a wee small weakling and then are honored by being sent to an awesome place with angels floating and all the best stuff that lasts forever... it 's a pretty great story, even if that's all it is. It's a lot better than believing that nothing happens to you when you die. That's... well that's just not very pretty is it? So even if it is a lie, what world would you rather live in, or die in?

Details & Dimensions

Collage:Paper on Wood

Original:One-of-a-kind Artwork

Size:14 W x 20 H x 2 D in

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www.annieterrazzo.com @annieterrazzo b. Breckenridge, CO. Lives and works in Los Angeles, CA. Born in Breckenridge Colorado, Annie Terrazzo surrounded herself with dreams. Her childhood was unorthodox and chaotic, having been raised by a mother who was a schizophrenic adult entertainer and a father who was a formula one race car driver. This chaos was countered by a large family who, through silversmithing and plein air painting, taught her the value of and method to making beauty in the world. She spent large portions of her time writing plays on an old typewriter, watching movies, and dreaming of Paris. After graduating from the Academy of Art in San Francisco, CA, Terrazzo began her career in trash portraiture, focusing on using found objects, newspapers, and magazines. She strives to create work that allows the viewer to recognize image and text based language, drawing you in through the technical skill she possesses and the attention to detail that permeates all of her work. Terrazzo has exhibited her work internationally and locally, with her work being placed in several permanent collections across the United States. "Through the lens of the past, Annie projects a contemporary mindset that bisects historical memory and the contemporary cultural context to create a realm where the body finds an equilibrium of both ideal beauty and sexuality, as well as personal expression and ironic juxtaposition within a contemporary mind frame and the cultural memory of the past. Annie's work instantly draws in the viewer and stands out among other contemporary art due to its familiarity, but also it's originality and undeniable intention, and masterful craftsmanship.” - Lauren Maley, Art Dealer for OHWOW Gallery in Los Angeles, Contemporary Art Historian, Writer, Philanthropist, LAAA Advisory Board Member, and LACMA Modern and Contemporary Art Council Member

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