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Bulgaria
Sculpture, Ceramic on Ceramic
Size: 7.9 W x 12.6 H x 5.9 D in
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The concept of the series "Little Black Dress" is rooted in exploring and interpreting the role of women in contemporary society. Questions of who she is today, what she should dedicate her life to, and whether she belongs to herself form the core of this project. The series touches upon themes of gender equality, women's rights, and their social standing, reflecting a broad spectrum of challenges and achievements faced by women in daily life. Sculptures crafted in black clay symbolize the universality and timeless relevance of the theme. Their abstract, flowing forms and smooth lines illustrate the flexibility and adaptability of women, their ability to overcome obstacles and adjust to changing social roles. The black color emphasizes strength, mystery, and the complexity of the feminine essence, while also highlighting elegance and resilience. The "Little Black Dress" series invites viewers to reflect on how society perceives women and the constraints placed on their freedom and self-expression. Through art, this collection aims to explore, recognize, and appreciate the diversity of women's experiences and perspectives, infusing each sculpture with profound social and emotional significance.
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:7.9 W x 12.6 H x 5.9 D in
Frame:Not applicable
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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Bulgaria
Natalia comes from a small provincial mining town in Siberia. After graduating with a degree in law, she opened he own practice, and practiced law until 2014. In 2015, Natalia decides to radically change her life and moves to Varna, Bulgaria. When Natalia was a child, she was watching her blind grandmother easily managing all the tasks around the house. Ironically, in 2018, due to a tumor, Natalya completely loses sight in one eye and the sight in the second eye is significantly narrowed. After that, Natalia, just like her grandmother once, begins to communicate with the world through her hands, on an intuitive and unconscious level. It is from that moment on the creative path of Natalia begins, her soul has called for art. She hadn’t yet known what it would be, so it was a way of searching and experimenting. Until at one moment, when she closed her eyes, her hands themselves suggested to Natalya, drawing three-dimensional forms in the air, that this should be sculpture. In the beginning of 2022, the first series of sculptures "Möbius Ribbon" was created from artificial stone. At the end of 2022, Natalia is creating a new series of ceramic works. Works are in private collections in America, Canada, France, England, Japan, Germany, Australia, Monaco, Greece, the Netherlands, etc. "Manibus, non oculis: The Art of Natalia Valter that Can Be Touched As Marshall McLuhan once said, "In a visual culture, the assertion that sculpture is primarily tactile and only partly visual is paradoxical. In reality, tactility is an almost undiscussed matter, yet it plays a decisive role in the world of art." Today, the term "touch art" is becoming more prevalent in contemporary art, applied to a genre of art that can be called tactile. The emerging sculptor Natalia Valter is creating art that can and should be touched, thus establishing her dialogue with the viewer. By inviting them to break the rule that usually applies in the temple of art (do not touch with your hands), the artist invites the observer into her personal space, where every line and detail can not only be seen but also explored through the sense of touch. The smooth, rounded forms of her ceramic sculptures are not just meant to be seen but also felt, allowing the viewer to merge with them, becoming a part of her art.
Artist featured by Saatchi Art in a collection
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