VIEW IN MY ROOM
Malaysia
Painting, Ink on Paper
Size: 22.4 W x 32.3 H x 0.8 D in
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"What stories could I possibly depict about a 'wardrobes?'" I found the word: ‘wardrobe’ was originally ‘warderobe’, meaning ‘a private chamber’ derived from Old North French during the 13th century, the meaning then extended to “a range of clothes” in the 14th century and “a cabinet” in 1794. This figurative painting depicted the cabinet with some clothes in it. NOTE: This work was purposely painted on a 5 years old, 140gsm, A1 size sugar paper and there are torn's marks at the edges. It will be sent out in hard cardboard tube. There are 1.5 cm edges for framing purpose. Signed at the back. Please let me know if you need more photos of details of this work. Thank you very much for reading the stories of this work.
Original Created:2017
Subjects:Interiors
Materials:Paper
Styles:Documentary
Mediums:InkWatercolorBallpoint Pen
Painting:Ink on Paper
Original:One-of-a-kind Artwork
Size:22.4 W x 32.3 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Malaysia.
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Malaysia
“Inspired by her family’s background in Chinese herbal medicine, Fuen creates calligraphic botanical paintings with dense, rhythmic compositions and bold mark making.” – Rebecca Wilson, Chief Curator for New Voice, Saatchi Art 2021 Special Edition Catalog. Fuen Chin is an artist who grew up in Kedah state, Malaysia. Her art takes inspiration from horticulture which is a nostalgic reflection of her childhood. Both her late grandparents were Chinese from Southern China with backgrounds in Chinese herbs and medicine, running a small herbal shop. It was there where Fuen learnt the importance of Chinese herbs and the stories around them. It is these stories and her visions about plants that provides an endless inspiration for the calligraphic floral paintings. Starting out as a self-taught artist, Chin eventually studied a Fine Art research degree at the Royal College of Art. She has worked on an art installation, citing the following response from the panel of judges: ‘We very much enjoyed your proposal and presentation and thought there were a lot of interesting possibilities that may emerge from your works.’ She continues to work and develop her calligraphic paintings using Chinese ink within a more contemporary context.
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