VIEW IN MY ROOM
United Kingdom
Painting, Chalk on Paper
Size: 13.8 W x 11.8 H x 1.2 D in
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This series was inspired my growing affinity for Asemic writing and natural earth pigments - as for me they hold a rich, primal yet timeless quality and I am also drawn to textures and random marks left on the plastered walls of old urban buildings, often covered with layer upon layer with washes of paint, repeatedly scratched and their gestural marks made by passing humans over decades immortalised on the surface. I painted a base coat with heavy earth pigments to make subtle marks draped with veils of pale washes to capture the dualities of time showing presence and absence, and through light and shadow by incorporating steel wire to show; presence that create disappearing shadows of absence on the etched surface.
Original Created:2021
Subjects:Abstract
Materials:PaperStainless Steel
Mediums:ChalkAcrylicEarth Pigments
Painting:Chalk on Paper
Original:One-of-a-kind Artwork
Size:13.8 W x 11.8 H x 1.2 D in
Frame:Other
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Bina is a London based visual artist, printmaker and ceramist. She translates her endless source of inspiration from natural and urban environments through textures, colour , pattern in the sequences of seasons, often focusing on small details employing a close relationship with mediums: painting with oil and cold wax medium, printmaking, ceramics and often mixing materials and methods which become a dominant driver in her work. She prefers to use hard surfaces which allow her to use a more diverse range of materials, tools and techniques to create textures and reveal undertones. Her works evolves as a result of experimenting with different materials and techniques, which leads to unexpected discoveries and an uncertain resonance to explore and develop further. Through a process of continual layering, building, etching, abrasion and deconstruction, incorporating indigenous materials, a surface is established and the resulting image is often ambiguous, challenging perception of the viewer to find their own definition and narrative or may at times echo memories of a place evoking an emotional response. Her work conveys a sense of contemplative abstract familiarity.
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