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Germany
Painting, Oil on Ceramic
Size: 20.9 W x 20.9 H x 2.8 D in
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Embroidery with oil with an unique ceramic frame and a blue velvet background. Dealing about the dramatically decrease of insects. Us invading the planet, giving nature no chance and actually spreading diseases. The little girl with her penetrating gaze, is depicted from a nineteenth century picture. This determined 120 years old girl symbolizes the anger of the youth, the young people who have to deal with a threathening future scenario.
Painting:Oil on Ceramic
Original:One-of-a-kind Artwork
Size:20.9 W x 20.9 H x 2.8 D in
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Karin van de Walle, the Netherlands, studied at the Academy of Arts AKV Sint Joost with a major in Ceramic Sculpture, in Breda, The Netherlands. She lives and works in Germany. Karin has an international platform, exhibiting her work in many different European cities. In the inspiring environment, near the lake Constance with magnificent panoramic views to Switzerland and Austria, she decides to starts up her studio and work as an independent fulltime artist. For a while she leaves the ceramic discipline, in order to cut loose of all the academy influences, to find a way of her own by starting to paint. In the next 6 years she exhibits her paintings successfully at numerous places in the south of Germany and in Holland. These paintings are the inspiration to go back to the 3D media again. She uses mixed media techniques, with most of the time, clay as a starting material . The images of the women she painted are translated in sculptures with an unconventionell own language. Her sculptures cross boundaries, both in a technical sense as in the content. She likes to play with exaggerated expression in both the form and the ornaments. Motifs from various cultures, and historical, mythylogical elements, are an essential part of her artistic language. Her perfectly constructed sculptures balance between art and camp with a sense of humour, between hedonistic archetypes, which hold up a mirror to the times we live in and divine female power. www.karinvandewalle.com
Artist featured by Saatchi Art in a collection
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