My main role is a facilitator between the philosophical works of Deleuze and Guattari, semiotic theory, the bridge between syllogistic logic and symbolic logic and modality as per the self defined axioms of my own artistic confines. So in other words I am a bridge, ‘a neutral’ between syllogisms and symbolisms, between vernacular art and conceptual art (as practised by Sol de Witt, On Kawara and Joseph Kosuth in the late 60-70s). I am currently extending this bridge to capture the theorems outlined by Edgeworth Johnstone’s and Charles Thomson’s figurative paintings. So in other words, you can refer to me as 'The Neutralist' or my art as Neutralic in nature. Coupled with these various dyadic or binary relations, the media I use also has a dualistic/multiplistic nature. I used to be a pure oil painter but I am shifting my technique and consciousness in parallel with the theorems that I am engaging in on a daily basis. I am mixing digital art, traditional art, oil/acrylic/pigment painting and modern curatorial and archival practise to disseminate a series of dualisms or neutral standpoints that I am attempting to question. So Neutralic Tradigitalism could be a word you'll be hearing in the near future... maybe?

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