My work investigates shifting ideologies within the history of particular built spaces and channels these concerns through the technicalities of pictorial construction.
In relation to the flux of construction and destruction that governs architecture; subject matter is drawn from ambiguous spaces where boundaries between civilisation and nature, order and disorder, past and present have become blurred and indistinct.
Similarly, disparate chance-based processes from the history of painting are appropriated and juxtaposed causing collisions of chaos and order, mimesis and materiality within each composition.