In the works to the end I work on the double movement that time makes in deleting and adding marks of its passage. The choice of labile materials and techniques or the analysis of sites during their deterioration or living beings growing, refers to the inexorable law of changing and becoming witch governs mankind and things. Works to the end are kind mutations waiting for their end, but their natural evolution collide with the other side of time: eternity, that now finds in digital technologies its presumed realization.
Every work refers to the corresponding digital image in the moment which is entrusted to its evolution. I leave my job to the bit care for conceptual and expressive needs or raising the stake between nature and artifice.