Lia Porto

Lia Porto


About

I work through a language that is organic and takes elements from the natural world. With these elements I try to recreate nature as some kind of fiction.

There is a certain constant simultaneity that shows in the expansive quality of the image as well as in the overlapping of information. I consider surfaces as fields where universes develop. At first sight they seem to be homogeneous but, in detail, they reveal different events. I create focuses of attention, as if I could organize, contain and relate everything that is taking place. There are traces of this activity on the canvas, movements that fluctuate between tension and equilibrium.
Location
Buenos Aires, Buenos Aires, Argentina
Website
http://www.liaporto.com/
http://www.facebook.com/lia.porto.5?ref=tn_tnmn
Work
www.liaporto.com
1968 Born in R.Gallegos, Patagonia, Argentina.
Currently lives and works in Buenos Aires, Argentina.
Education
Painting with C. Antoniadis and Tulio de Sagastizabal
Engraving with Patricio Bosch
Law degree and post graduate degree UBA (University of Buenos Aires)
Individual exhibitions
Arte BA, Buenos Aires 2010 (stand Fundación Arte con Voz)
Arte Espacio, Buenos Aires 2012, 2011 y 2010
BADA, Pilar, Buenos Aires, 2012
Club Náutico San Isidro, Buenos Aires 2010.
Arte SI, Buenos Aires 2009
Group exhibitions
“Mine”, Underline Gallery, New York, January- February 2013 curated by Casey Burry
“Milonga”, Ward-Nasse Gallery, New York 2012
EGGO, Centro Cultural Recoleta, Buenos Aires, Galeria Consorcio de Arte.
“Octavo Territorio”, Museo Marítimo de Ushuaia, junio 2012
Fundalam, Auditorio Palais de Glace, 2012, curated by Marcela Mackinley
Pop up art event, curated by Kenia Mihura y Violeta Quesada - Palermo Chico, CABA, 2012
ExpoTrastiendas, Buenos Aires, 2011 (Selva Mix Media Art Gallery)
Museo de Bellas Artes de Luján 2011(Selected work)
Espacio Cultura del Club Santa Bárbara, Buenos Aires 2011
Casa Canale, curated by C. Antoniadis, Buenos Aires 2010
El Vergel, Buenos Aires 2010, curated by Cristina Campos
Fundalam, Palacio Bemberg, Buenos Aires 2009, curated by Marcela Mackinley
Selected exhibitions
Museo de Bellas Artes de Luján, Buenos Aires 2011 (selected work Salon Felix de Amador)
Universidad de Belgrano, Buenos Aires 2011 (priced work / Premios a la Creación Artística )
Fundación Diagnóstico Maipú (selected work / “Arte, Ciencia y Corazón” contest)
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Friends

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  • Clara Fialho
  • Super Future Kid
  • Brandi Strickland
  • Carlson Hatton

Emerald City

Painting

Lia Porto
Argentina
Original $1,300

Agua (water)

Painting

Lia Porto
Argentina
Original $2,000

I'm Still Here

Painting

Lia Porto
Argentina
Original $1,150

No es Paris

Painting

Lia Porto
Argentina
Original $5,000
Serendipity
Serendipity
Venecia o Madryn
36 degrees
Gatas peludas
City Hall Park
Full Moon

Events & Exhibitions

Upcoming

Events

"Mine", Underline Gallery, NY

Meet Lia Porto, por Casey Burry

Lia Porto is an Argentina-based artist who works in 2-D mixed media painting & collage. Her work is influenced by travel & is characterized by a deceptively sophisticated brightness of color & light. Works mainly on paper or on canvas have a complexity of mark-making, diverse technical application of paint, and uniqueness of composition which takes the artwork beyond the realm of decorative abstraction and into the imaginary world of the artist’s mind.

Underline: Tell us what motivates you artistically.

Lia: I wonder many times why do I paint and what do I paint? Same way I wonder who am I? What am I doing here? I never arrive to a conclusion, maybe there isn’t a real, univocal one. What I do know is that painting is an exercise that helps me adapt to every day life. I search for the invisible world through matter. In a way, painting is a practice that helps me cross from the internal world to the external world, and vice versa. It isn’t a mental process. It’s a connection with the unlimited, subtle field that is way beyond me. This is why my paintings refer to daily experiences (food, coffee, yoga postures, birds, buildings, animals) as well as unreal landscapes related with emotions or imagination.

U: “Painting is a practice that helps me cross from the internal world to the external world, and vice versa.”What are some of your influences?

L: My work is essentially organic; it follows the rhythm of nature. Like a cut out or an open window to a greater, bigger and mysterious landscape, it suggests spaces that emerge gradually like those of a woven pattern or old embroidery. Within this wild, soft landscape, the ornamental aspects of those patterns start to grow, generating more intricate ones that take us to the artificial experience. This ambiguity –natural and artificial at the same time- conform a passage, a threshold that invite us to hover, stay and then drift into several routes within the painting.
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