Junus Aspassi shows in his photographic works apparent life images of this diverse world. His series "rescue", "bride", "military" and "cellar" mainly broach the issue of the good death. The compositions contribute partly borrowed from film scenes. These detailed, ironically highly aesthetic images which inevitably show the fine line between living and death, between glamour and emptiness, extend the viewers viewing angle. With the work of "escape", "wooden", "barrier" and "pathfinder" Junus Aspassi encounters during his creative period more intense to subtle. Conflicts are created in the mind of the observer. The aesthetic is sometimes deliberately reduced to the essentials.