For several years, I’ve been working on systems of representation in portraiture and on ways producing portraits. Relationships between photographic portraits and pictorial portraits are an integral part of my work. Thus, I’ve used several two-dimensional strategies to disturb viewers’ perceptions, strategies that prompt them to move about and try broaching the portrait from different distances. Through his or her motion, the spectator becomes a kind of zoom lens, varying focal length to produce effects of nearness and distance. Approaching the image to get a better look, viewers lose their grip on the identifiable reality of the photograph; reference points that normally serve to guide viewers of photography evade them here. The spectator must then fall back on a purely formal, even abstract reading. By eliminating superfluous and decorative elements of representation, I strive to display the procedures that go into making a portrait. I am looking for something very concrete in the context of abstract work. … Read More

University :
1977 à 1979
Université du Québec à Montréal
Master in fine art

1972 à 1975
Université du Québec à Montréal
Fine art, painting
… Read More