Hofstra University, Temple University, and School of Visual Arts, Bachelor of Fine Arts
She has enjoyed three museum retrospectives to date, and has been included in prestigious exhibitions at, among other venues, the Metropolitan Museum of Art in New York, the State Hermitage Museum in St. Petersburg, Russia, and the Palazzo Strozzi in Florence, Italy.
Among the notable honors Feuerman has received are the Amelia Peabody Sculpture Award, the Betty Parsons Award in sculpture, the Lorenzo de Medici Prize at the 2001 Biennale di Firenze, and First Prize at the 2008 Beijing Biennale. Her work is in the collections of His Majesty the Emperor of Japan, former President Bill Clinton and Secretary of State Hillary Clinton, former Secretary of State Henry Kissinger, former Soviet Premier Mikhail Gorbachev, the Absolut Art Collection, and Forbes Magazine, among others. Public collections include The Fort Lauderdale Museum of Art, The Bass Museum in Miami Beach, The Tampa Museum, The Boca Raton Museum, The Lowe Art Museum at the University of Miami, The Miami Children's Museum, Queensborough Community College Art Museum, Brandeis University, and Grounds for Sculpture.
This decade alone has seen Feuerman honored with prominent solo exhibitions, inclusion in prestigious shows around the world, and numerous publications. Her work was featured in An American Odyssey, 1945/1980: Debating Modernism, a survey including over a hundred works and seen in Spain and New York in 2004. The following year she was given a comprehensive one-person show, entitled Resin to Bronze Topographies, at Queensborough Community College of the City University of New York. In 2007 Feuerman's solo exhibition, By the Sea, appeared at the Pavilion Paradiso in connection with the Biennale di Venezia, followed by a solo show, Lust & Desire, at the art-st.-urban sculpture center outside Luzern, Switzerland. The following year, besides recognition in both the Third International Beijing Biennale and in the same citys Olympic Fine Arts Exhibition, Feuerman mounted a solo show, La Scultura incontra la realta, at Florences Moretti Fine Art, and was included in Venices OPEN International Sculpture Exhibition. At the end of 2008, Feuermans retrospective, Silence-Passion-Expression, was mounted at the Amarillo Art Museum in Texas, which has been nominated by the AISEI for the best Monographic Exhibition for 2008-2009. Her next retrospective will be at the El Paso Museum of Art, and then on to Seoul Korea.
In 2009 Feuerman was featured in 46 XX, an exhibition of four female artists at Moscows Na Solyanke State Gallery; showcased in a solo outdoor exhibition along with Etruscan sculpture at the Archeological Museum in Fiesole, Italy; given a solo exhibition, Swimmers, Bathers, Nudes, at Jim Kempner Fine Art in New York; and included in Art and Illusion: Masterpieces of trompe-loeil from Antiquity to the Present at the Palazzo Strozzi. The following spring she will enjoy a one-person exhibition in Florence, at the Museum Palazzo Vecchio and in the Piazza della Signoria (where Michelangelos David is situated). Also coming in 2010 is the second edition of Carole A. Feuerman: Sculpture, written by Eleanor Munro and David Finn and published by Hudson Hills Press, the latest in a long string of publications and catalogues going back more than thirty years.
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