SOLO Exhibitions
1999
Private Language, The Japan Foundation, Toronto
1998
Ne Touche Pas, Galerie Yves LeRoux, Montreal
1997
Friends, Jack Shainman Gallery, New York City
Friends, Cold City, Toronto
Art Metropole, Toronto
1995
Jack Shainman Gallery, New York City
Complex, Winnipeg Art Gallery, Winnipeg, Canada
1994
Complex, Spazio Via Farini, Milano
Complex, White Columns, New York City
1993
Buchholz und Buchholz, Cologne
Studio Guenzani, Milano
1992
Galerie Daniel Buchholz, Cologne
Complex, Genereux Grunwald, Toronto
1991
Complex 91, Spiral Garden, Wacoal Art Center, Tokyo
Schmozone, Nordanstad-Skarstedt, Stockholm
Galerie Franz Paludetto, Torino
Josh Baer Gallery, New York City
Complex, Castello di Rivara, Rivara / Torino
1990
Robbin Lockett Gallery, Chicago
Schmozone, Josh Baer Gallery, New York City
Galerie Brenda Wallace, Montreal
Pork Chops, Anna Freibe, Cologne
1989
The Power Plant, Toronto
Experimental & Pop, Galerie Dorrie-Preiss, Hamburg
Made In Canada, Galerie Daniel Buchholz, Cologne
1988
Josh Baer Gallery, New York City
Galerie Daniel Buchholz, Cologne
1987
Work, Cable Gallery, New York City
Travelling Exhibition, Margo Leavin Gallery, Los Angeles
1986
Expo, Josh Baer Gallery, New York City
Robbin Lockett Gallery, Chicago
1985
Made In New York, Cable Gallery, New York City

GROUP Exhibitions
2012
25 Years Of Talent, curated by Michelle Grabner; Marianne Boesky Gallery, New York City
Brooke Alexander Gallery, New York City
2010
Corvi-Mora Gallery, London, U.K.
2009
"Phot(o)bjects" curated by Robert Nickas, Presentation House, Vancouver; and Lawrimore Projects, Seattle.
2008
Fotomuseum Winterthur, "Set 5 Jederman Collection"; Winterthur (Zurich), Switzerland
2004
Nicole Klagsbrun Gallery, organized with Clarissa Dalrymple, New York City
Headspace, curated by Eileen Sommerman; Holt Renfrew (Bloor), Toronto
2003
Here and There, Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver
1999
Fluffy, curated by Anthony Kiendl; Dunlop Art Gallery, Regina, Saskatchewan
1998
Travelogue, Paula Cooper Gallery, New York City
Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver
The Not-Quite Doll Show, curated by Susan J. Baker; OKane Gallery @ University of Houston, Texas
Art Multiples, Reproduction and Fine Print, curated by Sue-Ellen Gerrisen; Saw Gallery, Ottawa
1997
Pseudonyms and Similarities, Mercer Union, Toronto
1996
Studio Guenzani, Milano
Free Parking, Toronto
Robert Prime Gallery, London, U.K.
Labor of Love, curated by Marcia Tucker; The New Museum, New York City
Be Specific, curated by Michael Duncan; Rosamund Felsen Gallery, Los Angeles
Altered States: Rituals of Exchange, curated by Catherine Crowston; Walter Phillips Gallery, Banff, Canada
Still Life, curated by Shelly Ross; The St. Paul Companies, Minneapolis
1995
Human / Nature, The New Museum, New York City
Fashion is A Verb (Expanding the Definition), Museum at the Fashion Institute of Technology, (F.I.T.), New York City
Dru Arstark Gallery, New York CitySmells Like Vinyl, curated by Thadeus Strode; Roger Merians Gallery, New York City
Inside Out (Psychological Self-Portraiture), curated by Marc Straus; The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
1994
Up The Establishment, curated by Dan Cameron; Sonnabend Gallery, New York City
Garnet press Gallery, Toronto
Rob-o-Rama, YYZ, Toronto
1993
Commodity Image, International Center of Photography (I.C.P.) Midtown, New York City
Six Weeks Brussells, Lukas und Hoffmann Galerie (Berlin), Brussells
Temporal Borders: Image and Site, curated by Karen Antaki; Leonard and Bina Ellen Art Gallery, Concordia University, Montreal
Photoplay (Works from the Chase Manhattan Collection), organized by Lisa Phillips and Manuel E. Gonzales; Center for the Fine Arts, Miami; Museo de Arte Contemporaneo deCaracas, Venezuela; Museo de Arte de Sao Paulo, Sao Paulo, Brazil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile
1992
Beyond Glory: Re-presenting Terrorism, curated by David J. Brown and Nina Felshin; Maryland Institute, College of Art, Baltimore
Les Survivants, curated by Elein Fleiss and Jean-Luc Vilmouth; La Galerie de Paris, Paris
Genereux Grunwald, Toronto
Apocalypse and Resurrection, Gallery Three Zero, New York City
Paradise Europe, billboard project organized by BizArt; Copenhagen
Galerie du Mois, Paris
Selected Passages, Galerie Jousse Sequin, Paris
Galerie Dorrie-Preiss, Hamburg
Galerie 1900 / 2000, Paris
Tattoo Collection, Urbi et Orbi, Paris; Air de Paris, Nice; and Daniel Buchholz, Cologne
1991
Anni Novanta, curated by Renato Barilli; Musei Comunal, Rimini, Italia
Serien, Galerie Juergen Becker, Hamburg
Editions Belle Haleine, Buchholz und Schipper, Cologne
Just What Is It That Makes Todays Homes So Different, So Appealing?, curated by Dan Cameron; The Hyde Collection, Glen Falls, New York
Postmasters Gallery, New York City
Galerie du Mois, Paris
Barenlese / Zum Wesen des Teddys, Ruhrland Museum, Essen
Presenting Rearwards, curated by Ralph Rugoff; Rosamund Felson Gallery, Los Angeles
Constructing Images: Synapse Between Photography and Sculpture, curated by Ingrid Schaffner;Lieberman and Saul Gallery, New York City
Proiezioni, curated by Gregorio Magnani; Castello di Rivara, Rivara / Torino
1990
Stendhal Syndrome, Andrea Rosen Gallery, New York City
Assembled, curated by Barry Rosenberg; University Art Galleries @ Wright State University, Dayton, Ohio
The Indomitable Spirit, organized by Photographers and Friends Against AIDS; International Center for Photography (I.C.P.) Midtown, New York City
Disconnections, Galerie Nordanstad-Skarstedt, Stockholm
Pop 90, Postmasters Gallery, New York City
Information, curated by Robert Nickas, Terrain Gallery, San Francisco
Get Well Soon, Robbin Lockett Gallery, Chicago
All Quiet On The Western Front?, Galerie Antoine Candau, Paris
Detritus: Transformation and Reconstruction, Jack Tilton Gallery, New York City
Photos?, Tresor DArt, Gstaad
No, Not That One. Its Not A Chair, curated by Elein Fleiss; Galerie 1900 / 2000, Paris
Arte de Camera, Galeria Matteo Remolino, Torino
On The Edge: Between Sculpture and Photography, curated by Toby D. Lewis; Cleveland Center for Contemporary Art, Cleveland, Ohio
1989
20th Sao Paulo Bienal Internacionale, curated by Carlos Von Schmidt; Sao Paulo
Psychological Abstraction, curated by DESTE Foundation; House of Cyprus, Athens
Natura Naturata (An Argument for Still Life), curated by Cornelia Lauf; Josh Baer Gallery, New York
Semi(Op)tics / une autre affaire, curated by Robert Nickas; Le Consortium, Dijon
D & S Austellung, Hamburg Kunstverein, Hamburg(including two window displays at Selbach menswear stores)
Homogenius, Mercer Union, Toronto
Galerie Brenda Wallace, Montreal
Order of Facts, curated by Haim Steinbach; Galerie Achim Kubinski, Stuttgart
Abstraction in Contemporary Photography, curated by Jimmy de Sana, Steven High, & Bill Salzillo; Hamilton College, Clinton, New York and Virginia Commonwealth University
International Camera, Salama-Caro Gallery, London, U.K.
Margo Leavin Gallery, Los Angeles
Dont Bungle the Jungle, organized by Madonna and Kenny Sharf; Tony Shafrazi Gallery, New York
Obscured, Josh Baer Gallery, New York City
Painting, Object, Photograph, Barbara Krakow Gallery, Boston
Revamp, Review, curated by Corine Diserens, International Center for Photography at Woodstock
1988
New Urban Landscape, organized by Olympia and York; World Financial Center, New York City
Reprises de Vues, curated by Corinne Desirens; Halle Sud, Geneva
Presi Per Incantamento, curated by Gregorio Magnani, Daniela Salvioni, & Georgio Versoti; Pagdiglioni dArt Contemporanea, Milano
Belief Structures, curated by Andy Fabo; Mercer Union, Toronto
When Attitudes Become Form, curated by Robert Nickas, Galerie Hans Mayer, Dusseldorf
Photography On The Edge, Patrick & Beatrice Haggerty Museum of Art, Marquette University, Milwaukee
New York Special, Photographic Works, Galerie Wilma Tolksdorf, Hamburg
Publics Art, curated by Denise Oleksijczuk (two-person exhibition with Dennis Adams); Cold City, Toronto
Belief Structures, curated by Andy Fabo; Mercer Union, Toronto
A Visible Order, Contemporary Still Life Photography, curated by Renee Ricardo & Paul Laster; Otis / Parsons Gallery, Los Angeles
A Drawing Show, curated by Jerry Saltz; Cable Gallery, New York City
1987
Metro Pictures, New York City
Le Courtiers du Desire, curated by Walter Hopps and Howard Halle; Centre Georges Pompidou, Paris
The Castle, curated by Group Material; Documenta 8, Kassel
Material Fictions, curated by France Morin; The 49th Parallel Gallery, New York City and State University of New York (S.U.N.Y.)
Coburg Gallery (two-person exhibition with Ken Lum), Vancouver
The Hallucination of Truth, curated by Renee Ricardo & Paul Laster; P.S. One, New York City
Wet Paint, Robbin Lockett Gallery, Chicago
XPO Galerie, Hamburg
Sculpture / Object / Sculpture, Galerie Barbara Farber, Amsterdam
The Image In Singular, Gallery Amer, Vienna
Le Case DArte, Milano
Grand Desire, curated by Jack Bankowsky & Steve Saltzman; Proctor Art Center, Bard College, Annadale-on-Hudson, New York
Galerie Daniel Buchholz, Cologne
Galerie Christophe Durr, Munich
Carl Solway Gallery, Cincinnati
Cold City Gallery, Toronto
Infotainment, organized by Gallery Nature Morte (New York); Galerie Montenay, Paris and DeSelby Galerie, Amsterdam
1986
As Found, curated by Benjamin Buchloh; Institute of Contemporary Art (I.C.A.), Boston
Infotainment, organized by Gallery Nature Morte (New York); Aspen Art Museum and Vanguard Gallery, Philadelphia
Arts and Leisure, curated by Group Material; The Kitchen, New York City
Brokerage of Desire, curated by Walter Hopps & Howard Halle; Otis /Parsons Gallery, Los Angeles
Public Art, curated by Ronald Jones; Nexus Contemporary Art Center, Atlanta
In Tradition of Photography, curated by P. Collier Schorr; Light Gallery, New York
Poetic Resemblance, curated by Barbara Broughel; Hallwalls, Buffalo
P, 303 Gallery, New York City
Cable Gallery, New York City
1985
Infotainment, organized by Gallery Nature Morte (New York); Texas Gallery, Houston and Rhona Hoffman Gallery, Chicago
Transitional Objects, curated by Joseph Kosuth; Galerie Philippe Nelson, Lyon
Split Vision, curated by Robert Mapplethorpe & Laurie Simmons; Artists Space, New York City
Americana, curated by Group Material for the Whitney Biennial;Whitney Museum of American Art, New York City
303 Gallery, New York City
Holly Solomon Gallery, New York City
Audacious, curated by Dan Cameron; Randolf Street Gallery, Chicago
Paravision, Postmasters Gallery, New York City
Bette Stoler Gallery, New York City
Seduction, curated by Marvin Heifferman; White Columns, New York
Benefit for the Kitchen, curated by Howard Halle; Brook Alexander Gallery, New York City
Holly Solomon Gallery, New York City
A Brave New World, A New Generation, curated by Thomas Solomon; Exhibition Hall @ Charlottenberg, Copenhagen
Benefit for J.A.A. Magazine, curated by Barbara Ess; Cash-Newhouse Gallery, New York City
303 Gallery, New York City
Dealers / Critics, curated by Robert Nickas; Mo David Gallery, New York City
57th Between A and C, curated by Manuel Gonzales; Holly Solomon Gallery, New York City
Neo-York, curated by Dean Savard; Center for Contemporary Art, Seattle
East Village, curated by Katya Arnold; Centre Saidye Bronfman, Montreal
1984
The New Capital, White Columns, New York City
Still-Life with Transaction, International with Monument, New York City
Natural Genre, Florida State University, Tallahassee
Semi(Op)tics, curated by Steven Parrino; International with Monument, New York City
Objectivity, curated by Robin Dodds; Hallwalls, Buffalo
1983
Civilian Warfare Gallery, New York City
Gallery Nature Morte, New York City1982 Gallery Nature Morte, New York City
1981
Club 57, New York City; curated by Keith Haring

REVIEWS Of Solo Exhibitions
1999
Artforum, by Lisa Gabrielle Mark; Summer Issue (Japan Foundation)
Frieze, by Ingrid Chu; May Issue (Japan Foundation)
Lola, by Andy Fabo; Issue #4 (Japan Foundation)
C Magazine, by Lisa Gabrielle Mark; Summer Issue (Japan Foundation)
1998
The Montreal Gazette, by Dorota Kozinska; April 25th (Yves LeRoux)
Voir, by Stephane Aquin; April 30th (Yves LeRoux)
1997
The Village Voice, by Kim Levin; January 21st (Jack Shainman)
The New Yorker, January 27th (Jack Shainman)
Canadian Art, by Jonathan Goodman; Summer Issue (Jack Shainman)
Globe and Mail, by Betty Ann Jordan; August 16th (Cold City / Art Metropole)
Lola, by Roger Carter; Issue #1 (Cold City)
Lola, by John Massier, Issue #1 (Cold City)
1995
New York Times, by Holland Cotter; January 20th (Jack Shainman)
The New Yorker, January 23rd (Jack Shainman)
Artforum, by Dan Cameron; May Issue (Jack Shainman)
Art In America, by David Ebony; June Issue (Jack Shainman)
1994
Flash Art / Italian Edition, by Horatio Goni; December / January Issue (Studio Guenzani)
Tema Celeste / Italian Edition, by Ariella Giulivi; Winter Issue (Studio Guenzani)
Flash Art / Italian Edition, by Emanuela de Cecco; June Issue (Spazio Via Farini)
Domus, by Angela Vettese; June Issue (Spazio Via Farini)
1993
LExpresso, by Renato Barilli; October 24th (Studio Guenzani)
Forum International, by Manfred Hermes; March Issue (Buchholz und Buchholz)
1992
Artforum, by Donald Kuspit; March Issue (Josh Baer)
Arts Magazine, by Gretchen Faust; February Issue (Josh Baer)
Globe and Mail, by Kate Taylor; November 20th (Genereux Grunwald)
1991
Artforum, by Jan Avgikos; February Issue (Josh Baer)
Art In America, by Ken Johnson; February Issue (Josh Baer)
Arts Magazine, by Robert Mahoney; February Issue (Josh Baer)
Dagens Nyheter, by Karin Anden-Papadopoulos; February 7th (Nordanstad-Skarstedt)
Daily Yomiuri, by Arturo Silva; July 11th (Spiral Garden)
The New Yorker, December 23rd (Josh Baer)
1990
Canadian Art, by Jane Perdue; March / April Issue (Daniel Buchholz)
Chicago Tribune, by David McCracken; June 22nd (Robbin Lockett)
Contemporanea, by Timothy Parges; October Issue (Robbin Lockett)
New Art Examiner, by Susan Snodgrass; November Issue (Robbin Lockett)
Arts Magazine, by Katheryn Hixson; November Issue (Robbin Lockett)
The New Yorker, November 19th (Josh Baer)
1989
Flash Art, by David Rimanelli; January / February Issue (Josh Baer)
Tema Celeste, by Robert Mahoney, January / March Issue (Josh Baer)
Arts Magazine, by Joshua Decter; January Issue (Josh Baer)
Art In America, by John Zinsser; March Issue (Josh Baer)
Artscribe, by C. Roger Denson; May Issue (Josh Baer)
Now Magazine, by Jane Perdue; April 6-12th (Power Plant)
Arts Magazine, by Daniela Salvioni; September Issue (Power Plant)
Globe and Mail, by John Bentley Mays; April 1st (Power Plant)
1988
New York Times, by Roberta Smith; October 21st (Josh Baer)
Flash Art, by Gregorio Magnani; Summer Issue (Daniel Buchholz)
1987
Arts Magazine, by Joshua Decter; January Issue (Josh Baer)
Artscribe, by John Miller; March Issue (Josh Baer)
C Magazine, by Vikki Alexander; October Issue (Cable)
Los Angeles Times, by Colin Gardener; December 4th (Margo Leavin)
1986
Flash Art, by Larry Rinder; February / March Issue (Cable)
Arts Magazine, by David Lurie; January Issue (Cable)
New York Times, by Joseph Masheck; November 14th (Josh Baer)

CATALOGUES and BOOKS
1999
Billboards: Art on the Road, published by Massachusetts Museum of Contemporary Art (MASS MoCA)
1997
Free Parking; The Institute For Optimistic Living, published by Free Parking Gallery, Toronto
1996
Labor of Love, essay by Marcia Tucker; published by The New Museum, New York City
1995
Alan Belcher / Complex 95 (Winnipeg), essay by Shirley Madill; published by Winnipeg Art Gallery, Winnipeg
Inside Out: Psychological Self-Portraiture, essay by Douglas F. Maxwell; published by The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
1994
Complex, essay by Bill Arning; published by White Columns, New York City
1993
Violent Persuasions: The Politics And Imagery Of Terrorism, edited by David J. Brown and Robert Merrill; published by Bay Press, SeattlePhotoplay (Works From The Chase Manhattan Collection), essay by Lisa Phillips; published by The Chase Manhattan Corporation, New York City
Temporal Borders: Image and Site, essay by Karen Antaki; published by Leonard & Bina Ellen Art Gallery @ Concordia University, Montreal
1992
Paradise Europe, essays by Ronald Jones & Lars Morell (including artists project pages); published by BizArt, Copenhagen
1991
Complex 91, essays by Gregorio Magnani & Yuko Hasegawa; published by Spiral Garden, Wacoal Art Center, Tokyo
Anni Novanta, essays by Renato Barilli & others; published by Arnoldo Mondadori / Arte
Presenting Rearwards, essay by Ralph Rugoff; published by Rosamund Felson Gallery, Los Angeles
1990
Assembled, essay by Barry Rosenberg; published by Wright State University, Dayton, Ohio
Fotograpie Formato Opera dal 60 a Oggi, essay by Mariuccia Casadio; published by Galeria Matteo Remolino, Torino
All Quiet On The Western Front?, essays by Joseph Masheck & Alan Jones; published by Galerie Antoine Candau, Paris
Stendhal Syndrome: The Cure, published by Andrea Rosen Gallery, New York City
1990
No, Not That One. Its Not A Chair, essays by Dominique Gonzalez-Foerster & Olivier Zahm; published by Galerie 1900 / 2000, Paris
Towards The Lens, published by Galerie 1900 / 2000, Paris
1989
20th Bienal Internacional de Sao Paulo, Fundacao Bienal de Sao Paulo, Sao Paulo
Alan Belcher: Photos, Sculptures, Objects 1983-1988, essays by Rosetta Brooks & Tom Folland; published by Power Plant, Toronto
D & S Austellung, essays by F. Barth, J. Schweinbraden, & T. Wulffen; published by Hamburg Kunsterverein, Hamburg
Hamburg Projekt 1989, includes artists brochure projects; published by Kulturbehorde, Hamburg
Order of Facts, essay by Isabelle Graw; published by Galerie Achim Kubinski, Stuttgart
Abstraction In Contemporary Photography, essays by Andy Grunberg & Jerry Saltz; published by Hamilton College & Virginia Commonwealth University
Nature Naturata (An Argument For Still-Life), edited by Cornelia Lauf; published by Josh Baer Gallery, New York City
Psychological Abstraction, essay by Jeffrey Deitch; published by DESTE Foundation for Contemporary Art, Athens
Special Affects, essays by Gregorio Magnani, Daniela Salvioni & Georgio Versoti; published by Giancarlo Politi, Milano
1988
Alan Belcher: Rock and Roll Transformer, essay by Daniela Salvioni; published by Josh Baer Gallery & J. Berg Press, New York City
Presi X Incantamento, essays by Gregorio Magnani, Daniela Salvioni & Georgio Versoti; published by Giancarlo Politi, Milano
Modern Dreams (The Rise and Fall and Rise of Pop), published by The Clocktower Gallery, New York & M.I.T. Press, Cambridge, Massachusetts
1987
Les Courtiers du Desire, essay by Howard Halle; published by Georges Pompidou Art and Culture Foundation, U.S.A
Beyond Boundaries (New York's New Art), edited by Jerry Saltz, essays by Roberta Smith and Peter Halley; published by Alfred Van Der Marck Editions, New York City
Material Fictions, essay by Ronald Jones; published by University Art Gallery, State University @ Binghampton, Binghampton, New York
Photography On The Edge, essays by Chris Carter & Noel Carroll; published by Marquette University, Milwaukee
Thought Objects (J.A.A. #7), edited by Barbara Ess & Glenn Branca; C.E.P.A., New York
1986
Brokerage of Desire, essay by Howard Halle; published by Otis / Parsons, Los Angeles
1985
Infotainment, essays by Thomas Lawson & David Robbins; published by J. Berg Press, New York
A Brave New World, A New Generation, essays by Thomas Solomon & Carlo McCormick; published by Exhibition Hall @ Charlottenberg, Copenhagen
Poetic Resemblance, essay by Barbara Broughel; published by Hallwalls, Buffalo
Split/Vision, essay by Andy Grunberg; published by Artists Space, New York City
Point One/Smart Art, essay by Joseph Masheck; published by Willis, Walker & Owens, New York
1984
Natural Genre, published by Florida State University, Tallahassee.

GENERAL

2011 Nero Magazine (Italy), “80s New York: Rearview Mirror”, by Cornelia Lauf and Daniela Salvioni; No. 25, Winter 2011, pg. 74.
2009
The Vancouver Sun, "New Dimensions in Photography", by Kevin Griffin; May 23, pg. D3.
2004
Artforum, Infotainment, by Thomas Lawson; October, pg 93
2003
Artforum, Time Capsules, 1980-1985, by David Rimanelli; and Ross Bleckner Talks To Dan Cameron; March 40th Anniversary Issue.
1999
Artforum, The Wild East: The Rise and Fall of the East Village; articles by David Robbins, Peter Nagy, and others, October Issue
The EYE, Canada Council tells successful artist to go back to New York; by Bruce LaBruce, January 21st
1998
The New York Times, A Gallery Tour Through Chelsea, The New Center Of Gravity; by Holland Cotter, May 15th
Canadian Art, Fast Forward; Spring Issue
Canadian Art, Fast Forward; Winter Issue
The Ottawa Citizen, Controversial exhibit comes to SAW Gallery; by Alison MacGregor, March 1st
Capital X-tra!, Portrait of the Artist as a Suicidal Exhibitionist; by Andrew Griffin, February Issue
JF Toronto News, Private Language: A Solo Exhibition by Alan Belcher; by Koto Sato, Winter Issue
1997
Artforum, Year-End Round-up; by Dan Cameron, December Issue
The Village Voice centrefold, January 16th, 23rd, & 30th
Simon Says, January Issue
NOW Magazine, "Alan Belchers billboard busts out"; by Deirdre Hanna, July 24th, pg. 68
X-tra!, "Would you kill this man?"; cover story by Gerald Hannon, July 17th
1996
The New York Times, Sunday, December 29th, pg. 41
Flower, Sunday In Liberia; by Alan Belcher, May Issue
X-tra!, Art X-tra!; May 23rd
1995
The Village Voice centrefold, January 19th
Purple Prose, Alan Belcher with Elein Fleiss; Winter Issue #8
Winnipeg Free Press front page, January 18th
1994
Tema Celeste Italian Edition, Surrealismo; by Alan Belcher, January, pg. 45
LArca, January
Il Giornale DellArte, January Issue #118, pg.52
Arte Mondadori, January Issue, pg. 26
1992
Stern, Kunst Fur Knappe Kassen; November 19th, pg. 234
Flash Art, Alan Belcher: Face The World; interview with Olivier Zahm, October Issue
Artscribe, A Pound of Fish; review of multiple edition by Jutta Koether, February / March Issue
Documents, October, project page #371991
Brutus Magazine, July 15th, Issue #253, Pg. 68
The Journal of Art, Letter from Chicago; by Katherine Hixson, February Issue
Nikkei Art, Volume 1
Hanatsubaki Magazine, February Issue #488
i-D Magazine Japanese Edition, premiere issue
Spiral Paper, July / August Issue #32
Studio Voice, August Issue, pg. 69
Gazette, Saturday In Liberia; by Alan Belcher, November 16 /17th, pg. 2
Art & Auction, Shifting Tastes; by Dan Cameron, September Issue
Flash Art, People News; November / December Issue, pg. 151
1990 Interview Magazine, Ozone Schmozone; interview with Paul Taylor, November Issue
Elle Magazine, Rough Edges; by Elizabeth Hayt-Atkins, June Issue
New York Times, Group Show As Crystal Ball; by Roberta Smith, July 6th
Cleveland Plain Dealer, A Wedding of Forms: Inventive Photography In The Fore; by Helen Cullinan, April 8th
Chicago Reader, Get Well Soon review; by Lynda Barckett, May 25th
1990
Number, Alan Belcher at Fed-Ex; by Debora Gordon, June / July Issue #11
Cleveland Plain Dealer, A Wedding of Forms: Inventive Photography In The Fore; by Helen Cullinan, April 8th
Center Quarterly, Snapshooting The Unknown; by Berta Sichel, Volume 11, #4
Spuren Magazine, Experimental project pages, October / December Issue
1989
Los Angeles Times, Dennis Adams, Alan Belcher, Jennifer Bolande review; by Suvan Geer, June 23rd
Flash Art, Psychological Abstraction; by Jeffrey Deitch, December Issue
The Hamburger Morgen Post, Mause, Hamster und Kaugummifotos; by Rainer Unruh, May 26th
FILE Megazine, Publics Art; by Denise Oleksijczuk, May Issue
Art Issues, Dennis Adams, Alan Belcher, Jennifer Bolande review; by Jane Rubin, Issue #6
Cincinnati Enquirer, Concept Art Not As Simple As Advertising; by Owen Findsen, July 23rd
Lexington Herald Examiner, 2 Cincinnati Shows Offer Look At Power And Appeal Of Advertising; by David Minton, July 23rd
Flash Art, When Attitudes Become Form review; by Gregorio Magnani, March / April Issue
Art In America, Corporate Trophies: New Urban Landscape review; by Allan Schwartzman, February Issue
Contemporanea, Sao Paulos Bienal: A First Look; by Vera DHorta, October Issue
Wolkenkratzer Art Journal, Selbstbezuge; January Issue
Art issues, New York Letter; by Daniela Salvioni, January Issue
Arts Magazine, Suits, Suitcases & Other Look-Alikes; by Jeanne Siegel, April Issue
7 Days, A Biennial Of Our Own; by Manuel Gonzales, May 3rd Issue
Artline / Power Plant Quarterly, January / March Issue
Artpost, Publics Art review; by Earl Miller, March / April Issue
C Magazine, Geometry of the Possible; cover article by Earl Miller, June / July Issue
Journal Of Contemporary Art, Interview with Alan Belcher; by Ken Lum, December Issue
1988
New York Times, A Revival of Interest in a World Gone Awry; by Andy Grunberg, December 4th
House And Garden, Object Lessons; by Paul Taylor, October Issue
El Paseante, Entropy and the New Objects; by Robert Nickas, Issue #10
Flash Art, The Image In Singular review; by Marcus Bruderlin, January Issue
Flash Art, Second Generation Post-Photography; by Gregorio Magnani, March Issue
Per Lui, I Fotografi Incantati; by Gregorio Magnani, June Issue
1987
FILE Megazine, Personals project pages; Issue #28
Beaux Arts Magazine, Made In U.S.A.; by William Olander, May Issue
The Vancouver Sun; review by Mia Stansby, April 16th
Flash Art, Courtiers du Desire review; by Shaun Caley, November / December Issue
Flash Art, A Spectacle of Capability: Belcher, Taafe, Vaisman; by Jack Bankowsky, April issue
Bomb Magazine, reproductions in Issues #6, 16, & 23
Caliber Magazine, Waffen In Der Kunst: Umbemalt; June Issue
1986
Flash Art, Conversations with Art Dealers: Nature Morte; interview with Paul Taylor, March Issue
The Philadelphia Enquirer, Infotainment: The Anti-Art of the Television Age review; by Edward J. Sozanski, January 9th
Arts Magazine, Split Vision review; by Joshua Dector, March Issue
Arts Magazine, Geometry Desurfacing; by Jeanne Siegel, March Issue
Art Metropole, Advertisements by Artists: Alan Belcher, Ken Lum, Jana Sterbak; project pages appearing in Canadian Art, C Magazine, FILE Megazine, Parachute,Vanguard, Parallelogramme, and Parkette, Winter 86 through Spring 87
1985
New York Native, Nature Morte: The Artist As Dealer; Issue #112, pg. 32
Flash Art, Interviews with Art Collectors: Michael Schwartz; by Michele Cone, November Issue
Art In America, New Capital review; by Walter Robinson, April Issue
Real Life Magazine, Brie Popcorn: Interview with the Owners of Nature Morte; by Rex Reason, Issue #11 / 12
1984
Arts Magazine, The Last Round-Up; by Dan Cameron, June Issue
Art In America, Slouching Towards Avenue D; by Walter Robinson & Carlo McCormick, June Issue
New Observations, Nature Morte; collaborative project with Peter Nagy, Issue #20, Pg. 7
L Uomo Vogue, Neo Galleristi; December Issue, pg. 150
1983
Artnews, Art In Alphabetland; by David Hershkovitz, September Issue
Flash Art, East Village; by Nicolaus Mouffarege, March Issue … Read More