This series of images were taken from inside a moving vehicle on the M25 in London. The artist overexposes each image to accentuate its formal qualities, emphasizing its colors and lines to the extent that movement spreads across the series of works and the view from the window acquires grander or more sublime characteristics.

‘When I Was Wrong’, demonstrates a strong photographic technical ability that draws into comparison other modes of artistic representation, namely abstract painting. The painterly quality of these images are accentuated by positions in the landscape moving in and out of focus and waves of color shifting across the surface.