When somebody discovers a Zalez photograph, he questions himself: is this Photography; is this an installation; is this a form of Land art? Zalez plays with the codes usually applied to art, he opens all and he expresses free of all yokes. Its photographic work does not resemble any other. Its photographs come to testify to its interventions in nature. He diverts its own works of their usual context: urban environment, to install them in nature. He creates a rupture, a very strong visual shock