As a theme, memory and nostalgia can be overplayed and there is certainly no shortage of artists out there mining this territory but Ezhkova has a way of ‘restaging’ certain family scenarios that are both comforting yet oddly unsettling as well; young children lined up in winter coats, the austere, formidable matriarch behind dark glasses, a young girl staring up at the camera, the photograph lifting her out of time and now revisited again as a painting.