The lower part of the painting comprises solid and outlined objects disposed over the perspective of the entire scenery .
The bottom margin blurs of the chromatic rose bush and the immediate background are contradictive to the acuity of the two roses. In addition, the ‘White’ of the roses leads the eyes to the bare space of the winding water-course, the roaming clouds at the right and also the waterfalls upper. The less dense and under toned treatment in the upper part of the painting, with the percept of rolling waters and the description at the right top margin , however , call for attention even at the expense of everything beneath it.
The conjunctive eye movements are the repeating journey of the scanning path for the enjoyment of re-experiencing sight of the painting transform.