One and Six Chairs references the conceptual artist Joseph Kosuth's work, In, One and Three Chairs. Kosuth's highlights the relation between language, picture and referent where as my realist painting takes this step further by alluding to the very codependence of a priori is-ness (un-transcendent yet intangible) and concrete objecthood.
Representational simulation of reality thrice removed is still able to convey the concept of a chair. The painting of a picture of a picture of a chair is still identified as a chair because of the relationship between symbol and is-ness.