My work is expressed through lines. It distances itself from the actual world. The "Line," among other forms, has been a means and messenger of expressing "my being free". It has various forms, sometimes curved, other times straight. In addition, it shows a feeling of being sometimes slow and sometimes very fast. I want to express and feel with viewers something that exists not just in one field, but can engender the infiniteness of the world through the language of lines.

I believe that the deep spatial effect created by various layers urges the viewer’s senses to transcend the two-dimensional world of painting. Lines and colors combine to form images with a new potential by meeting one another freely and creating unexpected forms.

When expressing lines in my work, I follow the flow of my unconscious mind, but I believe that unconscious gestures are distinguishable from messy ones: these intuitive gestures are not so much confusing as consistent. The harmony of opposites - conscious and unconscious, real and relative, free flowing and driven by natural rules - is what I am trying to express in my paintings. The mode of expression is itself a paradox between order and entropy.