I love the unbalance, the discontinuity, the rupture, the contrast, the sensorial and also to represent universes and an escape from the centre: giving paintings different and endless perspectives, in other words, I create a number of inside framings that can make the viewer rest his eyes while looking at my work.Almost everything can become an inspiration for me because everything has a secret structure. I just keep falling in love with the foundation lines of the city and of the human body.One of my biggest challenges is trying to make people engage with my work, trying to avoid indifference and therefore create in them some kind of reaction. That is probably why my works seem to escape the symmetry and the expected.