“Slips of the tongue and the pen are the classic parapraxes, but psychoanalytic theory also embraces such phenomena as misreadings, mishearings, temporary forgettings, and the mislaying and losing...
Theresa Anderson’s creative process can be described as a messy, chaotic one, moving between performance art, painting, journalling, between moments of absurdity and fragility, to the power of gesture, placing herself in situations that are uncomfortable and clumsy, yet synthesize into finished works of accumulated and destroyed narratives that ambiguously mimic a sort of autobiographical documentation.