"Leibniz conceived the universe as composed of "monads", microscopic substances each of which lives in
its own self-enclosed inner space, with no windows onto its environs. One cannot miss the uncanny
resemblance between Leibniz's "monadology" and the emerging cyberspace community in which global harmony
and solipsism strangely coexist. That is to say, does our immersion into cyberspace not go hand in hand
with our reduction to a Leibnizean monad which, although "without windows" that would directly open up to
external reality, mirrors in itself the entire universe? More and more, we are monads with no direct windows
onto reality, interacting alone with the PC screen, encountering only the virtual simulacra, and yet
immersed more than ever into the global network, synchronously communicating with the entire globe."
Citizens of the world are spending their lives staring into the reflective surfaces of their mobile phones
and desktop computers. I think that social context determines the value of the media, tendency itself of dispaying medium have to be
thought as social message.
I am exploring possibility of new abstract with new media. I combine the longing of the human soul for spiritual revealation with new social phenomenon.
My moving painting have different meanings from previous modern abstract painting. It has the Dynamic form
which is form that changes in time. It has the element of Time.
My flickering geometric forms imply various meanings of discontinuety, dromologie , supernatural and theology.The object becomes the dematerilization by the fast velocity and movement .
Regarding Abstract Expressionism as limited by accounts that have considered it in isolation from popular
culture and broader social issues,I want to reset the task of investigating this art with new media culture and social context.
In the late nineteenth, the western bourgeois ideal of a centralized and autonomous individual reflects ideology of the the abstract
expressionism. modernism painting has been recognized as a white male dominated art.
web is subversive and democratic.With the low culture of WEB which can be accessed by anybody,
I want to try new possibility of new abstract.
For me, the digital canvas is another representation tool. Browser is not only the way it looks but also
an inevitable basis of existence in the new space. If the history of fine art is against the frame of canvas,
new painting will be founded on the browser, a element of being.
In the past, inherent trait of painting reveals through the recognitions and enactments of medium.
As the tool and matarial,we have to reconsider the new medium.