This was the second in a string of drawings designed as physical monuments to their own quirk in devlopment.
In this piece, the 'jig' was very bare bones and consisted of a collection of grids and line art from 'student' sources rotated and composed in different ways. This ended up with a more free-form space than what had been allowed previously [ in My Stars, 2006]. The source material exerted less influence with perhaps just a 'terrible' blueprint in place of which to make cohesive or remain corrupt.
The decision making - in turn - shifted from left-to-right to outward and between 'layers'. The unexpected formal issues arose, problems' of edges, intersections, and focal points. The struggle was creating something whole from a collection of independent alcoves of activity.
Locked in an ivory tower, the planners design the world as things should be, yet the individual only acts where they can and will only act the way they can.
