view additional image 1
View in a Room ArtworkView in a Room Background
1177 Views
3

VIEW IN MY ROOM

Pink Jacket Collage

Liz Lever

United Kingdom

Collage, Paper on Paper

Size: 11.4 W x 16.5 H x 0 D in

Ships in a Crate

info-circle
SOLD
Originally listed for $325
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
1177 Views
3

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

I made this collage with a live model present. Working from life is always exciting - I have to work rapidly to capture the attitude of the model and the fantastic energy of the pose. I used paper from magazines for this collage – it is great fun to utilise the images on the magazine paper to describe the figure and his clothing, sometimes with unexpected results! The piece is sold unmounted in a protective clear plastic sleeve. This is an original collage made from magazine paper mounted onto 220gsm white acid free paper.

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:11.4 W x 16.5 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

www.lizlever.com @lizleverart I started drawing nudes a few years ago when I took evening classes in life drawing. These classes had a very experimental and playful approach and I was encouraged by my tutor to simplify and abstract the model in front of me. One of these experiments was to try Matisse’s method of using cut paper to ‘draw’ the nude. This method really clicked with me – I loved the unconscious abstraction that happened as I cut and stuck paper. Since then, I’ve continued making cut-outs using painted paper, working both from live models and photographs. I like to keep the poses were short - maybe 20 mins, which means I have to work fast and not deliberate. There's no planning involved, other than a quick 30 second mental scan of the model once she's in the pose to work out the main shapes of the pose and which way round my paper should go. I pretty much just dive in! Even when I'm cutting, I tend to spend most of the time looking at the model, so I'm unaware of what's happening on the paper. I use a really sharp scalpel, which responds to even slight movements of my hand, just like a pen or pencil. I think this energy comes across in the final pieces and I love the accidental abstraction that goes hand in hand with this method of working. There's something about the nude as a subject which keeps me wanting to capture it again and again. I think it must be the sharp outlines of the human form and the endless variation of poses and models. I think there is a subtle calmness in my figures. I don't purposely strive for that, but I am always drawn to poses that look natural and not too staged or self conscious.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support