Women are hanging out the clothes. The car is driving a country road and passes by: one girl turns her eyes at it, intrigued, fascinated, dreaming.The car's silohuette get muddled with the landscape, its curves with the hills around her, interrupting the daily homey acts without a crack, evoking a silent admiration that gives birth to the daydreaming. The car is not there because it is on the go, in the display case only remains the vision of its passage: the front of the car when approaching the women, its side when passing by, the rear of the car vision when it goes past. The bird's eye view shows another point of view: while the previous are subjective ones, referring to the women point of view, this angle takes in the landscape at a glance, the country, the fields, the hills, the farmhouse from which the group comes from.