Dirk Gielen

About

I have been making digital graphics since High School, but since I went to the Rietveld Academie back than for 2 years, I started to paint. Without thinking about things. I just painted and the result is it gets very figurative and lightly or seriously meanigful.
I started to considder years later, and started to destroy many of my urly works, due to perfectionism and psychose, as some visual in my portefolio. Regrets I had, but now I prefer the digital pictures of some of them.

'Figurative luck, with just a few strikes of my help.

PS1: I cutted my back than also figuratively/technical lucks paintings their best parts out of their canvas and kept them together, but they all got stolen. My precious treassure in some stealing lunartics their skanky fetish relationship with these importances.

I gradually became a 'humanitarian' solver, I make 'humanitarian' ideas what innovate (and create new, or allow to) for relief.

So mainly I hope to be able to type many more 'humanitarian' leads.
It often starts with a, I find, devine happyness I have about knowing how very needed valid Humanitarian ideation is.

I don't paint really often, just now and then.

Special Art is and stays a great feeling and passion of me but I like works to be stable humanitarian givens and preferably part of solutions for relief.

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Work

I don't paint often, but recent years when I paint a painting I succeed to make it proof figurative paint magic without I control these things. I paint like a monkey but it results in hard to ignore illustrations.

I paint with paintbrushes I adapt to drawing with paint and laying.

I don't have to go and work. I am terribly psychologicly ill. I have a upgraded revenue replacing income what is not bottom poverty, yet I feel what I diserve is so much more.

I'm at a intersting stage of my career where I am relaxed about the fact I should become sucessfully well selfmaintenant, but selling mine draws my sor attention.
Either I find now my works are too personal, or sub-motivated, and overall not decided for. But I realize I'm good for couple of works every few years.
I used to find the figurative magic surprizing and amazing, but now I find reasons for criticism also. I see they are wild and it all nerrowed down to very few works, and the urning of money with these fall in between factors such as too precious for me to be sold "cheap" 'yet the works have something cheap also even if technicly tallented. I neither seem to find my way to relevant selling places.

After all I think my magic hurts me, and that I can't facilitate them upto recognition and financial gain, at this moment in my professional life.
But understand me well, some are revealing technical demands what promoting and innovating the painting of figuratism what possible to control technicly.

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Education

I have had a digital graphic "education', then I went to the Rietveld Academie for 2 years. And since then my life was upside down,I regard my humanitarian inspirations of my prodicitivity most significant for well being, goodnes and welness. So I gradually became a experienced solving minded writer for solutions to general humanitarian problems. Reliefs sofar overall still in theoretic phase.

I have learned I don't want to disagree with what I see appearing during my artistic momentums of my free time, and to be honnest, I don't feel comfident about my paintings anymore. I used to "love" them but today I ralized I don't really love them anymore, not even a bit. They are quiete beautyful but form problems, and my magic paint powers irrelevant to me.
I feel I will make more paintings, and continue regarding their magic beauty with the conclusion it'll be tuff to want to sell any of them.

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