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Italy
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Fine Art Paper
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10 x 10 in ($66)
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White ($80)
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The new artwork is a stunning piece created by using spray paint and coated with transparent resin. It portrays a breathtaking view of Broadway at night, with all the shimmering neon signs that add life to the scenery. The painting is a true masterpiece that captivates the viewer's imagination and transports them to the bustling streets of New York City. The use of spray paint adds a unique texture to the artwork that makes it stand out from traditional paintings. The resin coating adds depth and a glossy finish, making the colors pop and the overall design more vibrant. As one gazes upon the painting, the scene comes to life, and it's easy to imagine the people on the streets, moving about and enjoying the city's nightlife. The artwork is not just an artistic representation of the city's streets; it also captures the essence of its people, their energy, and their vibrant personalities. The painting's attention to detail is impressive, from the intricate designs on the signs to the subtle shading that gives depth to the buildings. The artist's skill and precision are evident in every stroke, making the artwork a true work of art. In conclusion, the Broadway night scene painted with spray paint and coated with resin is a unique and mesmerizing artwork. It captures the essence of New York City's nightlife, and the artist's skill and precision make it a true masterpiece. It's a must-see for anyone who appreciates great art and the energy of the city that never sleeps.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Marco Barberio, 1971 Italy. During his life, he has always cultivated a passion for art and creativity, even without attending specialized schools. He spent his adolescence in the 80s, painting with the myth of American graffiti and pop art. In the 90s he was in the middle of the digital revolution and the birth of the Internet. Thanks to entrepreneurial intuition, the predisposition to new technologies and love for art, he founded a web company with the role of art director. In his US travels, he definitively consolidates the metropolitan subjects for his realistic paintings with references to pop icons. I call my artistic process “sampled realism”. The sampled realism is a way to translate an abstract idea, a state of mind of the real world and of everyday life, into an artistic representation, aiming to find a correct balancing between science and art. Environments, metropolitan landscapes, streets and places are just opportunity to freeze the sigh of an instant, the perfect moment. The urban landscapes into the pictorial “shots” are not just scenography, but moments of suspension, of losses of reference points. Spatiality as an element of the story is meant as an active agent of a tale. Are early stories, beginning of a movie, still images that narrate episodes within spaces defined by frames. Time is frozen and tension inert, while the action seems “off-screen”, in another world. The pictorial is made, being in the digital age, with the technique of sampling. The classic example of sampling is given by the world of music: the sound wave of an instrument played live is perceived as a signal “continuous”. When a sound is “captured” digitally, occurs a sampling process where the information of that signal is stored with a certain frequency. In this way, the continuous analogue signal becomes a digital signal discontinuously, apparently with some shortcomings. But this new digital signal, that can be stored in some way, is perceived exactly like the real analogue. In the digital era, much of the reality we live tends to be “sampled” and trapped in electronic devices. Similarly, in sampled realism the image is made with a process of simplification of the colours, a “sampling”. In this perspective, the colours are not mixed but become splashes, curves between which there are no shades. Just as it is in topography with the level curves, or in tomography, where the three-dimensional rendering of the body is given by samples in layers.
Artist featured by Saatchi Art in a collection
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