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Portugal
Photography, Giclée on Paper
Size: 39.4 W x 26.4 H x 0 D in
Ships in a Tube
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These photographs were taken after the fires in Cascais, Portugal, in 2023. The artworks in this series explore how something as destructive as a forest fire can't hide nature's ability to manifest beauty. Printed on Hahnemühle Pearl archival paper. Limited edition of 5.
Photography:Giclée on Paper
Artist Produced Limited Edition of:5
Size:39.4 W x 26.4 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Portugal
Katherine Masters (b. 1979 London, United Kingdom) lives and works in Lisbon and is a graduate of Goldsmiths University (Bachelor of Arts in Design) and Central Saint Martins (Postgraduate Certificate in Photography). After graduating Katherine forged a successful career in publishing, working for publishing houses such as Condé Nast, Fairchild Publications, The National Magazine Company and Cedar Communications. This was an experience that would later inform her artistic practice. Her work has been the subject of solo exhibitions; these include The Storyteller and the Sea, at the Farol Museu de Santa Marta and Museu do Mar, Lisbon (2011) and Flat White, at The Flat White, London (2014). Group exhibitions include: Aid Contra Prose, shown in both Gallery 2902, Singapore (2004) and Oxo Tower, London (2003). Other group exhibitions include Exhibition of Artworks in support of the Ukraine, Galeria de Arte Estoril, Lisbon (2022) and Arte na Freguesia, Galeria de Arte Cascais, Lisbon (2023). More recently I’ll Be Here When You’re Gone, at The Glasgow Gallery of Photography, Glasgow, Scotland (2023) and a second year exhibiting with Arte na Freguesia, Galeria de Arte Cascais, Lisbon (2024). Katherine’s work focuses primarily on the natural world and the human condition; her practice is currently centred on themes related to the Portuguese coastline and her concern with coastal sustainability. Katherine allows for concept to dictate medium and is currently working in watercolour, coffee, oil pastel, acrylic and photography. Her process is heavily rooted in the exploration of colour and its relationship with texture.
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