VIEW IN MY ROOM
Germany
Painting, Oil on Wood
Size: 9.4 W x 11.8 H x 1.2 D in
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Portrait of a black-haired elegant lady with the charisma of a 1950s burlesque dancer. Vibrant contrasting colours - golden yellow and purple - a cross-shaped composition, the diagonal incidence of light and the model`s dreamy forlorn gaze underpin the psychological symbolism of this work which deals with the individual`s solitude behind a stylized mask. The model who posed for that portrait is an Iranian woman who - due to the all-encompassing state interventionism - has to live her dreams within the confinements of her own room. Material-wise this is for eternity: painted on thick beech wood covered with pure linen using highest quality resin oil paints. Glazes of paint applied in layers ensure a radiant, multifaceted colour effect. The painting can be framed but also has a great aura without a frame. Two hook eyes have already been fixed on the backside for easy hanging.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:9.4 W x 11.8 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Eva Genoveva has been a full-time freelance painter since 2010. She lives and works in Munich, Bavaria. Her works are part of numerous private collections in Germany, Liechtenstein and the U.S. and have been publicly exhibited by various institutions, e.g. the Rouka Gallery, the Bavarian state bank and the Bavarian Department of the environment. Her intense studies of the technical aspects of painting resulted in a rather clocked creative process ensuring her works a strong inner light as well as an extraordinary longevity. She confines herself to using solely basic raw materials instead of ready-made products in order to remain in control of the entire origination process. Her approach is an aesthetical as well as analytical one. Overly emphasized compositional lines, queer colors, artificial illumination with strong shadows and backgrounds dissolving into stereometric forms ensure a well-arranged, idealized pictorial impact reminding of the Thirties` Precisionist movement. Focal point of her paintings is a subject that is often out of balance and rendered with the greatest possible psychological truthfulness. As regards her topics she has her eye foremost on the private, emotional, solitary and libidinal in the female experience realm, the reality behind masks, rebellion vs. submission, ubiquitous transcience and the abortive attempt to fight it.
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