VIEW IN MY ROOM
Australia
Painting, Oil on Wood
Size: 24 W x 24 H x 1 D in
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This painting is a visceral cry of protest against the Artificial Other tracking and recording all human endeavour. It rejects the modern reality of each of our lives being monitored by forces unseen and unbeknownst to us, a Big Brotherly array of powerful conglomerates that exert a control on us against which we feel powerless. Every action and emotion can be tracked, predicted and calculated, leaving human life a colourless, soulless existence. The colour palette in this painting is deliberately understated and controlled. The letters, though clear and unmistakeable, seem to have been scraped, removed, obliterated. This work was a finalist in the Abstract category CASS Art of Sydney Awards Exhibition, 2023.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:24 W x 24 H x 1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
I am ethnically a Pakistani artist, living and working in Sydney. I am self-taught and enjoy painting landscapes and still life in oils. I allow my art practice to evolve in different directions as I discover new materials and ideas. In the past couple of years, I have been enjoying my discovery of beeswax as a painting medium and a lot of my recent work incorporates the heavy texture and subtle shifts of colour that working with wax allows. I am inspired by how light transforms objects and people. Light and shadow are two important characters that populate my work. My paintings develop slowly, in layers of varying thickness and opacity. Each stage of work is instinctive, leading to, and determining, the next. In a meditative conversation between my work and myself, the end often arrives as a revelation. I have travelled and lived for many years in Europe, the Middle East and Pakistan, so the influences in my work are varied and diverse.
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