VIEW IN MY ROOM
United States
Collage, cyanotype on Paper
Size: 16 W x 8 H x 0.7 D in
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Featured. This collage is part of the same series that Saatchi Art featured April 27, 2020 'New This Week' collection. This small study in composition is the seventh in my 'Night and Day' dichromatic series of collages using my hand-printed cyanotypes. The metaphor of night and day, suffering and relief, struggle and triumph, continues. They each measure 8 x 8 inches (20 x 20 cm) and together span anywhere from 16 inches horizontally to 20 inches, depending on how they are spaced. Each of the cyanotypes that was cut up to assemble one of my collages was a unique monotype made from plants in my own garden. Cyanotypes, also known as blueprints or sun prints, are a 19th century alternative photographic process which does not require a camera lens. The blue print in the collage was made using branches from a beautiful species of Japanese maple tree in my garden called a Dancing Peacock Japanese Maple whose large leaves each have 9 points. The yellow print of vines from my garden wall which continues from the left panel to the right began as a blue cyanotype. I toned” or altered its color with sodium carbonate to achieve the butter yellow you see. There is a very slim 3/16 inch border of gold painted wood showing around the image when viewed from the front and the four 3/4 inch side edges are painted gold. This eliminates the need for a frame. The papers used in the collage are heavy 100% acid-free watercolor paper which will not yellow with age. The surface is permanently sealed with a transparent, matte layer of cold wax to protect it. The artist's proceeds from the sale of this piece will go to Fair Fight, an organization focused on free and fair elections in the U.S. It was founded by Georgia democrat Stacey Abrams with a mission to end Republicans' voter suppression tactics and elect more progressive voices to public office.
Original Created:2020
Subjects:Botanic
Multi-paneled Collage:cyanotype on Paper
Original:One-of-a-kind Artwork
Size:16 W x 8 H x 0.7 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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