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United States
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12 x 8 in ($69)
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White ($80)
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This painting started as a "FREQUENCY DISTORTION" painting. As I worked on it, I kept visualizing these organic shapes moving through the different color fields. The more I added, the more they all started looking like exotic sea creatures dancing the Salsa to some whacked out Carnivale Music. Vinyl and acrylic on gatorboard, 4 coats of urethane, backed with a wood panel and sides finished with black wood strips. Ready to hang in your contemporary living room or perfect in a modern office or lobby. This painting will engage you for hours, and provide a focal point for any room.
Print:Giclee on Fine Art Paper
Size:12 W x 8 H x 0.1 D in
Size with Frame:17.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
Louis is a Philadelphia, PA based artist and musician. "There is the idea of what a painting could be, then there is what happens while making the painting." "In my current work I employ a process driven call & response approach with the aesthetic goal of balancing shifting degrees of chaos and potential through the orchestration of organic and geometric structures. I am inspired by diverse sources: patterns (natural & man-made), sound waves, cycles, waves, frequencies, urban decay, architectural artifacts, geometry, geology, astronomy, tribal & corporate symbols, icons, technology and commercial graphics. By making art, I endeavor to reveal the mystery that is common to them. I am drawn to the history of things; to the possibility of different outcomes based on combinations of planned decisions and random events. I am intrigued with how small, repetitive actions consistently applied over the course of time, create complex systems that are greater than the sum of their parts. My approach is exploratory, reactionary and cathartic. I start with a concept, and follow the cues that the painting process gives me, often using unpredictable means to apply and remove paint, recycling, re-purposing and repositioning. Some decisions are planned, some are not. The result is the consequence of my reactions to previous actions. This process leads to reinvention and discovery, erosion and re assemblage; a play of deliberation and chance." His paintings and commissions are included in many private collections.
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